Great stuff, it don't mean a thing if it has got that swing.
--- On Sun, 10/10/10, lsf5275@aol.com <lsf5275@aol.com> wrote:
From: lsf5275@aol.com <lsf5275@aol.com>
Subject: Re: [newmellotrongroup] Re: Orchestrion becomes self-aware and replicates
To: newmellotrongroup@yahoogroups.com
Received: Sunday, 10 October, 2010, 12:54 PM
Here's something fun...
http://home.swipnet.se/~w-22134/nmm/
In a message dated 10/9/2010 6:56:40 P.M. Eastern Daylight Time,
ecclesreinson@rogers.com writes:
I think that the Orchestrion's midi triggered solenoids / hammers have an
advantage over midi triggered samples. The electro-mechanical parts introduce
some varations in the timing. Midi sequencer triggered samples often sound too
precise and measured like Nintendo music. Natural sounding music needs to be a
bit sloppy.
--- In newmellotrongroup@yahoogroups.com,
"markpringnz" <markpringnz@...> wrote:
>
>
> The
effect is much the same as midi triggered samples. It lacks the flexability
and variation of live musicians playing together. Obviously not suitable for
rock, jazz or the blues but can work well for highly structured music like
baroque fugues.
>
> Mark
> --- In newmellotrongroup@yahoogroups.com,
"ClayE" <ecclesreinson@> wrote:
> >
> > I wonder if it
has one paper roll or several synchronized rolls. Who made the rolls for
Metheny's music?
> > http://www.youtube.com/watch?v=hIZ2Ldrr5ok
>
> If Metheny toured with a midi sequencer/sampler for a band, it would be a
deadly boring show. Touring with this Orchestrion would not be a boring
show?
> >
>Message
Re: [newmellotrongroup] Re: Orchestrion becomes self-aware and replicates
2010-10-10 by Mark Pring
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