In a message dated 16/01/2010 16:33:53 GMT Standard Time, gabru@comsec.net writes: The point I was trying to make between the Grand Piano and Mellotron samples was that the frequency response and the velovity at which the string is struck is what makes the piano more difficult to sample than the playback of a string instrument (for example) that is played back through a very limited response system such as the Mellotron. However it is the lack of response that gives it it’s unique character and made the Mellotron the fascinating instrument it is. Actually the mellotron is capable of great frequency response. It's the old recordings that are mitigated. We have put fresh recordings through it and get up to 16k back. Not many people know that! Michale Caine Streetly Electronics - All Things Mellotronic _www.mellotronics.com_ (http://www.mellotronics.com/) UPDATED M4000 tour de force - UK trailer _http://thebox-movie.warnerbros.com/_ (http://thebox-movie.warnerbros.com/) US Sales East: Jimmy Moore_ JMoore6397@aol.com_ (http://JMoore6397@aol.com/) US Sales West: Paul Cox_ pjc56@earthlink.net_ (http://pjc56@earthlink.net/) Chloe Smith: _myspace.com/chloesmithmusic_ (http://myspace.com/chloesmithmusic)
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Re: [newmellotrongroup] Re: NAMM Report
2010-01-16 by tronbros@aol.com
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