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From: Mike Dickson <mike.dickson@gmail.com>
To: newmellotrongroup@yahoogroups.com
Sent: Sat, Jan 16, 2010 4:43 am
Subject: Re: [newmellotrongroup] NAMM Report
What I positively like about the touch on a Hammond or a
Mellotron or (direct action) pipe organ is the feeling that you are part
of the machine. You can either feel the mechanics of the system
under your fingertips. There is a bit of work involved there perhaps,
but I don't mind it as much as I mind the feeling that I'm simply
playing a series of rather dead digital switches.
As for samples and MIDI, they have their place. They make a lot of
things a lot easier and have obviously opened doors to many many things
that were previously impossible to encompass, but to me they just play
back with monotonous regularity. I've been messing about a little with
that RedTron plugin and frankly the Mk-V version (for some reason)
sounds better, for some reason. The problem is that the samples are
lousy and there is really no way round that. Okay, so Mellotrons have
their off days too (as we all know) but they get better. With this,
you're stuck with a picture of what someone else thought
sounded great. It's like the difference between making an Airfix kit
aeroplane model and a balsa model. With one you are tied to other
people's ideas and that (to me) is limiting.
Having said all that, I'll qualify it by saying that I've sampled
3-violins myself and I'd defy anyone to A/B a scale of it and the M400
whence it came and tell the difference. I just didn't treat the samples
at all. Someone might learn this trick one day. We'll see.
Mike
fdoddy@aol.com wrote:
