FANTASTIC!!!! Love the pitch bend! On Oct 16, 2009, at 9:13 PM, Mike Dickson wrote: > http://www.mikedickson.org.uk/private/Epitaph-Reworked.mp3 > > markpringnz wrote: > > > > > > Apparently in the 50th anniversary edition the mellotron will be > > replaced with a kazoo. > > > > --- In newmellotrongroup@yahoogroups.com > > <mailto:newmellotrongroup%40yahoogroups.com>, Mike Dickson > > <mike.dickson@...> wrote: > > > > > > This may sound like heresy.... > > > > > > Does anyone else have the new 40th anniversary edition of 'In > The Court > > > of the Crimson King'? I do (as you may expect) and believe it or > not, > > > what has been done to it in terms of sonic quality is > astounding. It's > > > even better than the 30th anniversary edition (which I thought was > > > outstanding) and comes with some really good extras too. > > > > > > But. > > > > > > To me, the biggie on this album was always 'Epitaph'. It was > really > > this > > > track that showed me the way and pointed me at a style of music > I don't > > > think anyone else in the genre has come /close /to equalling. > And it > > was > > > always the Mellotron that did it. Everything else in the track was > > > great, but the piercing shreik of the Mellotron propelled it > from being > > > a /fairly/ standard minor key tune into something really magical. > > > > > > Which begs the question: /what the shiny blue fuck has happened > > here? /I > > > was listening to the track again today having had a feeling of > loss > > in a > > > couple of previous listens, and have suddenly found out where it > was > > > coming from. Or not. At the close of the first chorus the > Mellotron > > > climbs to the top E as well all know...and never gets there. The > > note is > > > /not there/. One note. Big deal, you may say, but it is a /sublime > > > /note. As Fripp himself has droned, you '/can play any note they > like > > > provided it's the right one/'. And this is the right one. It's > sweet > > and > > > perfect and rounds off the chorus perfectly. So why is it > omitted. It's > > > even in tune! > > > > > > Worse is to come. /That pitch bend. /My 14 year old jaw dropped on > > > hearing it for the first time. I think I destroyed my first copy > by > > > dropping the needle onto at point again and again and again. It > is a > > > fantastic, blood-curdling hair-on-the-back-of-the-neck > experience. And > > > on the 40th anniversary set it is /sludged out/. The crescendo > > behind it > > > absolutely overwhelms it to the extent that you can hear the > trick; one > > > Mellotron plays a crescendo climbing 'flat' to E-minor whilst > the other > > > one bends up to it. Expert fading on the original ensured that the > > > /effect /was heard but that the squeak of strings ratcheted up > like > > that > > > /was not/. It's a superb moment. And you can barely hear it on > the new > > > release. > > > > > > Has anyone else noticed this or any other weirdness/ It's the only > > track > > > I have listened to in such detail so far, which makes me a tad > scared > > > for the rest now. Actually, I'm playing it now and the clarity > of the > > > piece now makes it sound like Mike Giles banging on timpani in a > > studio, > > > not the far-off and distant /sound of doom /that I know so well. > Maybe > > > less is nore. Perhaps Fripp has /tinkered beyond. /Perhaps I'll > ask him. > > > > > > Musical choices aside, the sound quality is to be heard and > > disbelieved. > > > A friend with a good 5:1 system says that 21CSM is like having > the band > > > play in your front room. It's that good. > > > > > > -- > > > Mike Dickson, Edinburgh > > > > > > Free Music Project: http://www.mikedickson.org.uk/ > > <http://www.mikedickson.org.uk/> > > > Or http://www.last.fm/music/Mike+Dickson > > <http://www.last.fm/music/Mike+Dickson> > > > Or http://soundcloud.com/mikedickson <http://soundcloud.com/mikedickson > > > > > Or http://www.planetmellotron.com/revd4.htm#mikedickson > > <http://www.planetmellotron.com/revd4.htm#mikedickson> > > > > > > > > > -- > Mike Dickson, Edinburgh > > Free Music Project: http://www.mikedickson.org.uk/ > Or http://www.last.fm/music/Mike+Dickson > Or http://soundcloud.com/mikedickson > Or http://www.planetmellotron.com/revd4.htm#mikedickson > > >
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Re: [newmellotrongroup] Re: Court
2009-10-17 by David Jacques
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