One of the times Patrick and I discussed the triple which I played, he was
not happy about the instrument he had poured a lot of money into.
The last time I saw the instrument, it had been broken down to where the
face plate was the only recognizable component.
Very nice guy he is.
Works out of Full Sail studios in Orlando about 75 miles from me.
Best,
Tony
#510
----- Original Message -----From: Mike DicksonSent: Thursday, November 29, 2007 4:15 PMSubject: Re: [newmellotrongroup] 10 Worst KeyboardsThat's interesting. Moraz was so (allegedly) over the moon about it that
he was prepared to stick his name up in the advertising for the
instrument, etc etc. The problem with the Orchestron was that it sounded
*rubbish*. What were they thinking? And more to the point, what were the
musicians thinking when they eventually heard it?
Mike
kinchmusic@aol. com wrote:
>
> For me it's the Vako Orchestron. I bought it as a "replacement" for a
> tron I sold way back when. Lo fi...Huge disappointment!
> Andy K
>
>
>
> *1. The Birotron (cool in concept; dismal in execution)*
> *2. Any pre-M1 Chamberlin (Excedrin cycling headache # infinity)*
> *3. Fender Rhodes*
> *4.*
> *5.*
> *6.*
> *7.*
> *8.*
> *9.*
> *10.*
>
>
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