I personally played Patrick's triple
Orchestron at the Vako facility in St. Pete many years ago and the problem was
obvious to everyone involved.
Much like the Mellotron it could be
worked around by simply lifting the key as in a tape rewind and press down on it
again without much trauma, but unfortunately that was not enough to save the
instrument.
Talking with Patrick about this very
problem, he was very frustrated with it and had sunk a lot of money into
it.
Still it was an interesting experience
all around between Patrick and Dave.
Tony
#510
PS welcome back Mike!
----- Original Message -----From: Mike DicksonSent: Thursday, November 29, 2007 4:15 PMSubject: Re: [newmellotrongroup] 10 Worst KeyboardsThat's interesting. Moraz was so (allegedly) over the moon about it that
he was prepared to stick his name up in the advertising for the
instrument, etc etc. The problem with the Orchestron was that it sounded
*rubbish*. What were they thinking? And more to the point, what were the
musicians thinking when they eventually heard it?
Mike
kinchmusic@aol. com wrote:
>
> For me it's the Vako Orchestron. I bought it as a "replacement" for a
> tron I sold way back when. Lo fi...Huge disappointment!
> Andy K
>
>
>
> *1. The Birotron (cool in concept; dismal in execution)*
> *2. Any pre-M1 Chamberlin (Excedrin cycling headache # infinity)*
> *3. Fender Rhodes*
> *4.*
> *5.*
> *6.*
> *7.*
> *8.*
> *9.*
> *10.*
>
>
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