You know James.
I did note a BJH sort of lovely string swirl, from around that time as well. .On Tue, Apr 29, 2014 at 11:13 PM, gino wong <wonggster@gmail.com> wrote:
Tape echo. Easist done with an open reel deck or twoYour double tracking could be spillBIg plate reverbs can mess up sound like that too.--On Tue, Apr 29, 2014 at 5:05 PM, DiPaolo Richard <kathnrich@yahoo.com> wrote:Facts about how Mike Pinder used effects on his mellotron was a technique called "spanning". He used one channel "dry" and the other with pure reverb. It then spans across the sound stage.
Sounds like they are doing the same here. Listening closely I heard the right side first then the left causing this "spanning" effect. That's my take.Rich D.
From: Mike Dickson <mike.dickson@gmail.com>
To: newmellotrongroup@yahoogroups.com
Sent: Tuesday, April 29, 2014 4:49 PM
Subject: [newmellotrongroup] Effect Advice
A question for those with talented ears: I'm going to put some Tron down on a tune recorded by a mate, and I was hoping to get a sound similar to that which Bob Ezrin pulled off on Caroline Says II on Lou Reed's Berlin. Trouble is, I've tried a few things and nothing sounds quite like it.Here is Ezrin doing his thing: http://www.youtube.com/watch?v=7TOlgGUcWaE#t=90Obviously it's double tracked, but there is something very odd about the filtering. Anyone got any ideas?MikeGino Wong BirgeloBSComm, BSEE,ReRED Recording, Analog Sound Design--Gino Wong BirgeloBSComm, BSEE,ReRED Recording, Analog Sound Design