The Mellotron Group

No that can't be right.  The Pinder CD samples were done right.  Why would they do something different for the M4000D?

--- In newmellotrongroup@yahoogroups.com, Hessel Herder <hessel@...> wrote:
>
> Completely agree Tom
> 
> Which makes me wonder,aren't the samples in the 
> M4000D taken directly from the mastertapes, instead of 
> a real Mellotron?
> 
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> Op 21 jan. 2011 om 16:41 heeft "Thomas C. Doncourt" <tomdcour@...> het volgende geschreven:
> 
> > That is well put! Playing a sampler is like a job, getting a real tron to
> > sound just right and then recording it is a personal process I enjoy. Few
> > things much better than that.
> > 
> > > It's about your personal connection with the machine as much as the
> > > sound..the feel of it. It's a very selfish feeling actually. I can fool
> > > 99.9% of the public with samples, but I can't fool myself. That's what
> > > counts!
> > >
> > > fd
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> > >
> > > -----Original Message-----
> > > From: Chris Dale <unobtainiumkeys@...>
> > > To: newmellotrongroup <newmellotrongroup@yahoogroups.com>
> > > Sent: Fri, Jan 21, 2011 3:19 am
> > > Subject: Re: [newmellotrongroup] Re: OT- NAMM 2011
> > >
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> > > Well I think it depends.
> > >
> > > I've been able to tell the real thing apart from samples, but deeper in
> > > the mix - yes it's pretty difficult.
> > >
> > > Also - I imagine most Mellotron owners could recognize when it is real or
> > > not.
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> > >
> > > On Thu, Jan 20, 2011 at 8:44 PM, Gary Brumm <gabru@...> wrote:
> > >
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> > > An Alesis piano module would never be mistaken for a Steinway where as
> > > this instrument would be difficult if not impossible to distinguish
> > > from a tape machine in a mix by most everyone.
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