The Mellotron Group

That is well put! Playing a sampler is like a job, getting a real tron to
sound just right and then recording it is a personal process I enjoy. Few
things much better than that.

> It's about your personal connection with the machine as much as the
> sound..the feel of it.  It's a very selfish feeling actually.  I can fool
> 99.9% of the public with samples, but I can't fool myself.  That's what
> counts!
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> -----Original Message-----
> From: Chris Dale <unobtainiumkeys@gmail.com>
> To: newmellotrongroup <newmellotrongroup@yahoogroups.com>
> Sent: Fri, Jan 21, 2011 3:19 am
> Subject: Re: [newmellotrongroup] Re: OT- NAMM 2011
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> Well I think it depends.
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> I've been able to tell the real thing apart from samples, but deeper in
> the mix - yes it's pretty difficult.
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> Also - I imagine most Mellotron owners could recognize when it is real or
> not.
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> On Thu, Jan 20, 2011 at 8:44 PM, Gary Brumm <gabru@comsec.net> wrote:
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> An Alesis piano module would never be mistaken for a Steinway where as
> this instrument would be difficult if not impossible to distinguish
> from a tape machine in a mix by most everyone.
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