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101 patch ideas?

101 patch ideas?

2009-10-11 by patchdub1972

hi all.  i built a 101 and sort of get it. but am hoping some folks out there could pass on some tricks as to how to get more out of it.  in particular the s&h part.  i have a few vco, lfos, filters, and vcas.  any help would be greatly appreciated!
thanks
-patch

also what do you use the - out of an eg for?

Re: [motm] 101 patch ideas?

2009-10-11 by Richard Brewster

Here's a relevant article that may help.

http://www.soundonsound.com/sos/aug00/articles/synthsec.htm

Richard Brewster
http://pugix.com


patchdub1972 wrote
Show quoted textHide quoted text
> hi all.  i built a 101 and sort of get it. but am hoping some folks out there could pass on some tricks as to how to get more out of it.  in particular the s&h part.  i have a few vco, lfos, filters, and vcas.  any help would be greatly appreciated!
> thanks
> -patch
>
> also what do you use the - out of an eg for?
>
>
>
> ------------------------------------
>
> Yahoo! Groups Links
>
>
>
>
>

Re: 101 patch ideas?

2009-10-11 by patchdub1972

great article!  thanks for the link.  am reading now and trying to digest all the info.  the 101 seems like its gonna be a really useful module once i get the hang of it!



--- In motm@yahoogroups.com, Richard Brewster <pugix@...> wrote:
Show quoted textHide quoted text
>
> Here's a relevant article that may help.
> 
> http://www.soundonsound.com/sos/aug00/articles/synthsec.htm
> 
> Richard Brewster
> http://pugix.com
> 
> 
> patchdub1972 wrote
> > hi all.  i built a 101 and sort of get it. but am hoping some folks out there could pass on some tricks as to how to get more out of it.  in particular the s&h part.  i have a few vco, lfos, filters, and vcas.  any help would be greatly appreciated!
> > thanks
> > -patch
> >
> > also what do you use the - out of an eg for?
> >
> >
> >
> > ------------------------------------
> >
> > Yahoo! Groups Links
> >
> >
> >
> >
> >
>

[motm] Re: 101 patch ideas?

2009-11-10 by Argitoth

some quick ideas that most people know about and that I explain poorly :)

SUPERSAW
  • Noise --> Slew limiter or Lowpass filter or "Slow" noise--> VCO FM input
Your goal here is to take noise and slow it down so it makes an oscillator wobble and slowly drift in pitch +/- 30 cents, greater drift for a fatter sound, smaller drift for an edgier sound. You need to overdub your oscillator 8 to 16 times to create the supersaw effect. I don't own the MOTM-101 so the "Slow" noise may or may not give the right wobble and drift. Note that the pitch can't *just* wobble, it also needs to drift! If there's no drift, you'll get a less pleasant spread of pitches when overdubbing. Takes a bit of trial and error to get the right wobble and drift, helps to have a tuner to see if you're drifting and not just wobbling.

NASTY FILTER
  • Noise --> Filter FM input
Creates a nasty filter sound.

BUBBLY FILTER
  • Noise --> Slew limiter or Lowpass filter or possibly Pink noise --> Filter FM Input
Like above, except you are slowing down the noise so it creates a bubbly or warbly effect

RAIN, OCEAN WAVES, WIND, BOILING FX
  • Noise --> Filter input, add little to no resonance for wind and waves, lots of resonance for rain and boiling
  • Same noise --> Filter FM input
  • LFO or ADSR --> Same Filter FM input
Expiriment by using a slew limiter or lowpass filter before the filter fm input and overdubbing with different settings to create wind orchestrations. I've created extremely realistic rain using digital synths and fx. It requires overdubbing. I'm not sure how to achieve this in the analog world, but it also requires that the noise/audio source is somehow shaped to create pops and clicks as well as having the standard SHHHHH sound. I'd love to try doing this analog.

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