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Polyphony in your systems

Polyphony in your systems

2006-02-27 by thomas white

Hi all,
How many voices do you typically have in your system? I am not talking about a synth voice plus a drum voice plus a drone, I mean real VCO-VCF-VCA voices. I have 3 now and am shooting for 4. Both of mine have the following set up:
MOTM-300 VCO
MOTM-310 VCO (2 arriving this week to be built)
MOTM-420 VCF
MOTM-440 VCF
MOTM-110 VCA (1 has Oakley VCA but sounds the same)
2 x MOTM-800 ADSR
So you can imagine, or maybe know from your own system, more modules to creat another voice gets to be quite pricey and requires planning for space. Knowing this, how do you have your modules in your system arrange? I have all Oscillators in one row, all VCA-ADSR modules in the row below, and all filters in two rows of the top cabinet since I have so many of them in total.
I know the new MIDI/CV can be chained to support up to 16 voices I think ($$$ aside of course) and that sounds like a great fantasy. I know that my original 3 voice with 1 VCO each sounded good, but I know the extra uVCO's will make it sound better and more animated. Does anyone run three VCOs per voice? Curiously,
Thomas


Thomas White

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Re: [motm] Polyphony in your systems

2006-02-27 by Greg Amann

Yes. Toooo conventional. Get some sound mangling and CV mushing into that system young man!

;-)

PLL, BFG


On 27-Feb-06, at 1:12 PM, ac wrote:

Show quoted textHide quoted text
that's a very "conventional" way to think of a synthesiser - especially a modular.
curious.

ac

On 27/02/06, thomas white < djthomaswhite@...> wrote:
Hi all,
How many voices do you typically have in your system? I am not talking about a synth voice plus a drum voice plus a drone, I mean real VCO-VCF-VCA voices. I have 3 now and am shooting for 4. Both of mine have the following set up:
MOTM-300 VCO
MOTM-310 VCO (2 arriving this week to be built)
MOTM-420 VCF
MOTM-440 VCF
MOTM-110 VCA (1 has Oakley VCA but sounds the same)
2 x MOTM-800 ADSR
So you can imagine, or maybe know from your own system, more modules to creat another voice gets to be quite pricey and requires planning for space. Knowing this, how do you have your modules in your system arrange? I have all Oscillators in one row, all VCA-ADSR modules in the row below, and all filters in two rows of the top cabinet since I have so many of them in total.
I know the new MIDI/CV can be chained to support up to 16 voices I think ($$$ aside of course) and that sounds like a great fantasy. I know that my original 3 voice with 1 VCO each sounded good, but I know the extra uVCO's will make it sound better and more animated. Does anyone run three VCOs per voice? Curiously,
Thomas


Thomas White

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Re: [motm] Polyphony in your systems

2006-02-27 by Scott Juskiw

>How many voices do you typically have in your system? I am not 
>talking about a synth voice plus a drum voice plus a drone, I mean 
>real VCO-VCF-VCA voices. I have 3 now and am shooting for 4. Both of 
>mine have the following set up:
>
>MOTM-300 VCO
>MOTM-310 VCO (2 arriving this week to be built)
>MOTM-420 VCF
>MOTM-440 VCF
>MOTM-110 VCA (1 has Oakley VCA but sounds the same)
>2 x MOTM-800 ADSR
>

Somewhere between 8 and 12. But I don't use my modular synth for 
creating basic VCO-VCF-VCA type sounds. There are lots of other 
synths that can do this well, are both polyphonic and programmable. 
For me, the joy of modular synths is that you can create sounds 
outside the realm of VCO-VCF-VCA, sounds that you can't create on 
those other synths.

Re: Polyphony in your systems

2006-02-28 by Mike Marsh

I use my modular this way all the time - I have a taste for simple
electronic timbres in a chamber setting.  It doesn't matter to me if
that's conventional or unconventional.

I have about 5 voices now, six if you count the ZO which doesn't
really need filtering.  This includes oscillators from other
manufacturers, but also 3 300s and 3 310s. I also often use filters as
oscillators and occassionally push an LFO into the audible range, too.

About glorping: try hooking two oscillators together the audio out of
one into the FM in of the other and vice versa.  Then put LFOs into
other inputs and twist knobs and stuff.  If you don't get glorp, you
will get something interesting!

Mike


--- In motm@yahoogroups.com, ac <analoghell@...> wrote:
>
> that's a very "conventional" way to think of a synthesiser -
especially a
> modular.
> curious.
> 
> ac
> 
> On 27/02/06, thomas white <djthomaswhite@...> wrote:
> >
> > Hi all,
> >
> > How many voices do you typically have in your system? I am not talking
> > about a synth voice plus a drum voice plus a drone, I mean real
VCO-VCF-VCA
> > voices. I have 3 now and am shooting for 4. Both of mine have the
following
> > set up:
> >
> > MOTM-300 VCO
> > MOTM-310 VCO (2 arriving this week to be built)
> > MOTM-420 VCF
> > MOTM-440 VCF
> > MOTM-110 VCA (1 has Oakley VCA but sounds the same)
> > 2 x MOTM-800 ADSR
> >
> > So you can imagine, or maybe know from your own system, more
modules to
> > creat another voice gets to be quite pricey and requires planning
for space.
> > Knowing this, how do you have your modules in your system arrange?
I have
> > all Oscillators in one row, all VCA-ADSR modules in the row below,
and all
> > filters in two rows of the top cabinet since I have so many of them in
> > total.
> >
> > I know the new MIDI/CV can be chained to support up to 16 voices I
think
> > ($$$ aside of course) and that sounds like a great fantasy. I know
that my
> > original 3 voice with 1 VCO each sounded good, but I know the
extra uVCO's
> > will make it sound better and more animated. Does anyone run three
VCOs per
> > voice? Curiously,
> >
> > Thomas
> >
> >
> > *Thomas White*
> > *Natural Rhythm*
> > www.naturalrhythmmusic.com
> >
> > ------------------------------
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