MOTM

for anyone who knows Stockhausen, they might be interested to know 
that I brought my tiny MOTM rig with a few other synths to play at 
the Bauermeister residence in a strange improv fest...  apparently 
psychedelia and experiementation in music is still alive.

But, it's odd to be the most concrete/mundane person in a group!  I'm 
the engineer with the patch cords...  surrounded by...

DIRTY HIPPIES!

(heh)

Anyway, that's all.

> But, it's odd to be the most concrete/mundane person in a group!  
I'm 
> the engineer with the patch cords...  surrounded by...
> 
> DIRTY HIPPIES!

Usually, it's the other way around for me.  Being the most right-
brained (certainly the longest-haired)engineer at my company AND the 
most technical in groups of fellow artists makes for some interesting 
moments.  However, being involved in experimental music ASSURES your 
being an outcast!

Party on!

Chub-hiding in his studio

It's more weird because lots of people I know think I'm "out there" 
musically, but I don't think so myself.

Amazing thing about this show was the range of sounds I was able to 
get out of 2 MOTM modules:
MOTM-120 Sub Octave Mux, MOTM-420 Filter, MOTM-320 vcLFO

Chaos patches were well appreciated, and blending the highpass from 
the 420 with my Juno-106's lowpass sounded nice.

At first, I was upset because my mixer ended up being used as a 
master mixer for everyone, but then I realized I had 2 mixers right 
there in my MOTM rig.  "Sweet."  For the real estate, this stuff is 
amazing.  Actually, for anything it's amazing.

Best quote:  "So why did you keep plugging things in and unplugging 
them?"  Next time i'll set up with my back to the audience... anyone 
do it that way, or the other way?

(Still excited from the live debut of the teeny tiny MOTM setup)
--- In motm@y..., "osthelder" <osthelder@n...> wrote:
> 
> > But, it's odd to be the most concrete/mundane person in a group!  
> I'm 
> > the engineer with the patch cords...  surrounded by...
> > 
> > DIRTY HIPPIES!
> 
> Usually, it's the other way around for me.  Being the most right-
> brained (certainly the longest-haired)engineer at my company AND 
the 
> most technical in groups of fellow artists makes for some 
interesting 
> moments.  However, being involved in experimental music ASSURES 
your 

> being an outcast!
> 
> Party on!
> 
> Chub-hiding in his studio

> ----- Original Message -----
> From: sucrosemusic <sucrosemusic@...>
Amazing thing about this show was the range of sounds I was able to
get out of 2 MOTM modules:
MOTM-120 Sub Octave Mux, MOTM-420 Filter, MOTM-320 vcLFO

LH:
You're going to need to give us all a lesson in how to get 6U in 4U of
space.  It will help our cabinet realestate. <snicker>

> Best quote:  "So why did you keep plugging things in and unplugging them?"

There is only one answer: "Because I can."

Stoogely Larry

--- In motm@y..., "J. Larry Hendry" <jlarryh@i...> wrote:
> > ----- Original Message -----
> > From: sucrosemusic <sucrosemusic@y...>
> Amazing thing about this show was the range of sounds I was able to
> get out of 2 MOTM modules:
> MOTM-120 Sub Octave Mux, MOTM-420 Filter, MOTM-320 vcLFO
> 
> LH:
> You're going to need to give us all a lesson in how to get 6U in 4U 
of
> space.  It will help our cabinet realestate. <snicker>
> 
> > Best quote:  "So why did you keep plugging things in and 
unplugging them?"
> 
> There is only one answer: "Because I can."


I would like to nominate this answer as "Answer of the month (AOTM)". 
Keep it up, Larry!

Michel Havenith

> 
> Stoogely Larry

I always play with my back to the audience when my
modular is along.  Lots of blinking lights, knob
twiddling and patching going on.  I hate all of those
boring laptop guys out there; it doesn't make any
difference what direction they are facing.

Electro-acoustic stuff is also a big crowd pleaser
visually (and hopefully acoustically too!).

> Best quote:  "So why did you keep plugging things in
> and unplugging 
> them?"  Next time i'll set up with my back to the
> audience... anyone 
> do it that way, or the other way?

Cheers!
Shemp

P.S.  Setting up perpendicular to the audience or at
an angle also works.  This is sometimes necessary when
I am not the only modular performer on stage.

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