MOTM

hello all,

leafing through my little black patch book this morning i found this, it's a
version of the "breaking glass" patch that came with the Arp "Frankenstein"
scan - i labelled it as "jetfighter/popcorn/brokencoffeemachine", but it
also makes passable rain, and is dead easy to patch:

connections:
MOTM 100 output to MOTM 300 v/oct input
MOTM 300 pulse output to MOTM 100 clock input
MOTM 300 sine output to desk...

you may want to put a low pass filter over the output to lose some of the
fizz, and a touch of bass heavy reverb adds depth to the "rain"

settings:
MOTM300
coarse = 7.75 "spout"
fine = 9

MOTM100
hold
level = 4

cheers
paul b

insert kevin costner type joke here:

Hey, this works pretty good!  All kinds of fun drippy noises.  I 
patched the SINE out of the 300 to a 440 for boing then through a 410 
for some randomish placement. The 440 is driven via the 1V/OCT and 
FM1 ins by the out of the 101.

Now add a 2nd 300 at different COARSE and FINE settings for more 
wettness.  Keep it away from the electronics though...

Cool!

Mike

--- In motm@y..., "sikorsky" <vulture.squadron@s...> wrote:
> hello all,
> 
> leafing through my little black patch book this morning i found 
this, it's a
> version of the "breaking glass" patch that came with the 
Arp "Frankenstein"
> scan - i labelled it as "jetfighter/popcorn/brokencoffeemachine", 
but it
> also makes passable rain, and is dead easy to patch:
> 
> connections:
> MOTM 100 output to MOTM 300 v/oct input
> MOTM 300 pulse output to MOTM 100 clock input
> MOTM 300 sine output to desk...
> 
> you may want to put a low pass filter over the output to lose some 
of the

> fizz, and a touch of bass heavy reverb adds depth to the "rain"
> 
> settings:
> MOTM300
> coarse = 7.75 "spout"
> fine = 9
> 
> MOTM100
> hold
> level = 4
> 
> cheers
> paul b
> 
> insert kevin costner type joke here: