.>
switch". Actually,
guitars, mics, and syths ALL are so different that very liitle is common.
I still want to do a good mic pre: I bought all these high $$$ Burr-Brown
instrumentation amps
and AD820 super whiz-bang FET op amps for the servos.
The guitar pre has a VERY high input impedance (like 1M) and uses a VERY $$$
Linear Tech
current-mode op amp (like $12ea!) with a LT1010 current booster for pure
Class A excitement.
Paul S.
BTW: ^@%$^@$ power cables are back, all fixed and shipments resume tomorrow.
&^#&^$&#^$
>I'm wondering what the difference is between the guitar and synth inputswas
>(level? impedance?) -- do a lot of synths have only a low level output? I
>thinking I'd almost never use these types of inputs (now Larry, on theother
>hand ....), but I would actually use three guitar (or mic) level inputs.There are several BIG differences that don't lend easily to "flip the
>Maybe this could be either a switched feature or just a mod to the standard
>design (???).
>
switch". Actually,
guitars, mics, and syths ALL are so different that very liitle is common.
I still want to do a good mic pre: I bought all these high $$$ Burr-Brown
instrumentation amps
and AD820 super whiz-bang FET op amps for the servos.
The guitar pre has a VERY high input impedance (like 1M) and uses a VERY $$$
Linear Tech
current-mode op amp (like $12ea!) with a LT1010 current booster for pure
Class A excitement.
Paul S.
BTW: ^@%$^@$ power cables are back, all fixed and shipments resume tomorrow.
&^#&^$&#^$