MOTM

JH's interpolating scanner is more suited to this than a sequencer. It
already has the VCAs built in to crossfade from one input to another when
swept by a CV. Also, it has built in normalized DC inputs to the VCAs so
that you can directly synthesize waveforms with arbitrary breakpoints.

http://www.synthfool.com/diy/jh_ipscan.html

Dave Bradley
Principal Software Engineer
Engineering Animation, Inc.
daveb@...

> -----Original Message-----
> From: Tkacs, Ken [mailto:ken.tkacs@...]
> Sent: Thursday, March 23, 2000 7:48 AM
> To: 'motm@onelist.com'
> Subject: RE: [motm] Partially Mad
>
>
> From: "Tkacs, Ken" <ken.tkacs@...>
>
>
> So you'd be directly controlling the waveshape? That could be
> interesting; I
> don't think you'd get direct control over the partials that way
> but it could
> probably make some cool new waveforms.
>
>
>
>  -----Original Message-----
> From: 	davevosh@... [mailto:davevosh@...]
> Sent:	Wednesday, 22 March, 2000 11:12 PM
> To:	motm@onelist.com
> Subject:	Re: [motm] Partially Mad
>
>
>
> going from this back to the "simpler" ( ? ) idea of using a sequencer :
> ( as i recall, you were familiar with serge stuff like the "tkb" and for
> whatever reason, i can visualize this easier in terms of that unit )
> clock it at a superaudio rate so when divided down, you are in the audio
> range. then, instead of using the row voltage output, take the
> gate output (
>
> there`s one for each of the 16 stages ), think of the gate as
> being a fixed
> 5
> volt steady state. feed each gate into a vca tuned to function best with
> control voltages. now, modulate those vca`s in various ways, envelopes or
> audio rate, whatever.  sum those modulated outputs in another mixer / vca
> type module. i would think that the varying level of each stage, when
> clocked
> at the audio rate to use the sequencer as a "vco" would produce a complex
> dynamic spectrum.  or am i crazy ( not to be ruled out ! ) ????
>
>
>
>
>
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