Koos Fockens writes:
(although one did mention the vinyl surface noise). The first one was from
Alexander and Kraft's 1812 Overture / Nutcracker album from 1977 done on Arp
2600, Odyssey, and Pro Soloist. The second by Wurman from the early 70's,
done on a Moog modular. Other than some pretty good brass sounds in the
first one, if I had done a version it wouldn't be so cheezy in places and it
would be bigger and more impressive sounding.
time of Switched on Bach was one modular synth, and had to do everything
track by track<<
Ah, I see. Though that's not unique to Carlos as every modular synth record
was done that way. I even use polyphonic synths that way as in my mostly W.
Carlos style Bach and Scarlatti demos.
-Elhardt
>>Hi Kenneth, that sounded great (both versions)<<I think some people weren't taking the hints that I didn't do those
(although one did mention the vinyl surface noise). The first one was from
Alexander and Kraft's 1812 Overture / Nutcracker album from 1977 done on Arp
2600, Odyssey, and Pro Soloist. The second by Wurman from the early 70's,
done on a Moog modular. Other than some pretty good brass sounds in the
first one, if I had done a version it wouldn't be so cheezy in places and it
would be bigger and more impressive sounding.
>>BTW: I don't mean to compare myself to Wendy Carlos, I could never matchher talent. I just mentioned it, as all that Carlos had available at the
time of Switched on Bach was one modular synth, and had to do everything
track by track<<
Ah, I see. Though that's not unique to Carlos as every modular synth record
was done that way. I even use polyphonic synths that way as in my mostly W.
Carlos style Bach and Scarlatti demos.
-Elhardt