MOTM

That's a cool idea, I'm gonna try that!

Sometimes I get accused of doing simple patches with minimal modules.

I guess guilty as charged but it's because I enjoy trying to wring

the most out of each module. Sometimes you can find cool stuff, and

sometimes you just make yet another white noise source :)

But a module like the 120 definitely has depth, and with the mods as

described on Richard Brewster's site it's even cooler. The 700 is

another module that falls into this category.

Maybe we should have a call for some cool patches with minimal modules

(no fair to use a ZO). With sound samples! I could host entries on

my .Mac site (no streaming, though, just download).

On an unrelated note, there have been calls for Paul not to

discontinue this or that module. I think he's doing it not because

the modules are not cool, they just do not support his business any

more. I suppose this is easy for me to say since I have at least one

of everything Paul has sold (except a 100), but count me on the side

of moving on. I can't wait to see the kinds of things we will get

with the Audio Engine...

Mike

--- In motm@yahoogroups.com, Jason Proctor <jason@...> wrote:

great patch!

i had considered the 120 a one-trick pony but with techniques like

this it can be persuaded to do some seriously weird glorpy stuff.

one variation is - output from the 120 going into fm2 on the 300 set

at about 1, and keyboard voltage going into the 1v/oct. means you can

play melodies and have the craziness take them away. drive the 320

off a clock division and it's even in time! [fx: cackle]

Drew asked about the 120 - I say it is essential MOTM! Not only does

it make a great audio sub-oscillator (down to 4 octaves!) you can

divide LFO-type stuff too. But the crux of the bisquit (God rest

Frank's soul) is cross mod.

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