MOTM

Forgot to mention that I took the TRI out of the 300 to the console
for recording.  There seems to be a little verb and delay on it - I
think I had effects in the path.  No eq though.

Mike

--- In motm@yahoogroups.com, "Mike Marsh" <michaelmarsh@...> wrote:
>
> Drew asked about the 120 - I say it is essential MOTM!  Not only does
> it make a great audio sub-oscillator (down to 4 octaves!) you can
> divide LFO-type stuff too.  But the crux of the bisquit (God rest
> Frank's soul) is cross mod.
> 
> When you put an audio signal in IN A and an LFO (sine works best) in
> IN B then send the OUT to an oscillator, you get a cool sequencer-like
> thing.  By tweezing the variuos knobs on the 120 you get variations. 
> Here's the patch that produced the demo:
> 
> - SIN OUT of 300 to A IN of 120
> - SINE OUT of 320 to B IN of 120-
> - OUTPUT of 120 to 1V/OCT *of the same 300* (this give that ripped
> timbre - you could drive another 300 if you wanted).
> - Tweeze SUBx and A IN knobs for variations
> 
> for the syncopation:
> - PULSE OUT of the 320 to EXT CLK of the 101 S&H
> - S&H OUT of the 101 to FM1 of the 300 - tweez the FM1 knob to add
> more or less syncopation, high level give the mayhem at the end of the
> demo.
> 
> The 120 is such a cool module.  I think everybody needs one...
> 
> Mike
> 
> PS - if you're counting, that's only 4 modules for some mighty cool
noise.
> 
> m
>