"J. Larry Hendry" wrote:
or inversely to the attack of an EG. Thus higher notes on the keyboard have
shorter or longer attacks than the lower registers.
Also, with a sequencer, you can set the attack of each stage. Or individual
release times. This is nice when you're using one row of the sequencer to
set individual note times.
Imagine using a clock to trigger both the ADSR and the MOTM-100, and using
the out on the sample hold to set the attack time. Hey, imagine four
MOTM-100's controlling attack, decay, sustain, release. No wait, eight
MOTM-100's controlling two ADSR's, one for VCA, and another for the filter...
...I'll NEVER have enough modules :-(
Thomas
> Now, I have a question about EGs. Someone on synth-diy for whom I have aOne use is to have the keyboard pitch voltage attenuated and applied directly
> great deal of respect recently introduced a voltage controlled ADSR. Why
> would I want my EGs to be voltage controlled. I though the purpose of EGs
> was to produce voltages for the control of other modules liek VCAs and VCFs
> and such. If I have a voltage controlled ADSR, how would I use that?
>
or inversely to the attack of an EG. Thus higher notes on the keyboard have
shorter or longer attacks than the lower registers.
Also, with a sequencer, you can set the attack of each stage. Or individual
release times. This is nice when you're using one row of the sequencer to
set individual note times.
Imagine using a clock to trigger both the ADSR and the MOTM-100, and using
the out on the sample hold to set the attack time. Hey, imagine four
MOTM-100's controlling attack, decay, sustain, release. No wait, eight
MOTM-100's controlling two ADSR's, one for VCA, and another for the filter...
...I'll NEVER have enough modules :-(
Thomas