"poly" not "ploy" Sorry - you can tell what my keyboard skils are. That's OK: I'm a guitarist! --- In motm@yahoogroups.com, "Mike Marsh" <michaelmarsh@s...> wrote: > The 730 was designed for you, then, Greg! It's all about rhythms, > ploy and otherwise... > > --- In motm@yahoogroups.com, Greg Amann <greg.amann@s...> wrote: > > Unlike Paul H, I am primarily interested in rhythm (which makes sense > > since I am a drummer). I do not confuse rhythm with the 4/4 thumping we > > hear on the radio (and I am not implying that Paul H does). Music does > > not generally translate into words very easily, but I think of > rhythm as > > "forward motion" or "momentum". A sense of the inevitable. > > > > I love "un-pitched" sounds. I have a cymbal collection including two > > gongs. > > > > I disagree that music in hardwired. It seems that way to us because it > > means so much to us. There are plenty of people for whom music is like > > wallpaper. Music may be cultural. > > > > I am interested in music that I am interested in and I try not to judge > > other things going on in the world but I am almost never successful and > > find that I judge Britney et al. constantly. I am learning to live > with > > this character defect. I would guess that I am interested in aboot > > 0.0001% of the music produced. To get a general idea of where my > > beauty/pain threshold lies, listen to recent King Crimson or early > Magma. > > > > I have no desire to challenge anyone other than myself. > > > > I love the internet since it allows me to engage in learned debate with > > people of similar ilk and thereby rise above the primitive beasties. > > > > I am selling a lot of stuff on eBay to pay for my MOTM. Boy, do I need > > a power supply! > > > > PLL, BFG > > (Peace, light and love, Big Fat Greg) > > > > Mike Marsh wrote: > > > > > Thank you thank you thank you! This is what I was hoping would come > > > of my earlier post. I am intensely interested in why/how/what other > > > people do in synthesis, and this is a keen insight indeed. > > > > > > I think we are after the same thing, ultimately: beautiful music. I > > > also think that there is a very large social/cultural component to > > > people's response to music and what is beautiful or not. Some of it > > > is indeed hard-wired, some of it not. I want to, um, "challenge" the > > > ear sometimes, although I grant you that I'm rearely successful in > > > passing it off as 'beautiful" :> even though I sincerely believe it > > > myself. > > > > > > What about it folks? How/why/what do the rest of you do? > > > > > > Mike > > > > > > --- In motm@yahoogroups.com, "paulhaneberg" <phaneber@o...> wrote: > > > > That was a great post by Mike. I thought maybe I would explain as > > > > well what I am after with my synth, since it is somewhat different > > > > than what Mike does. > > > > > > > > My long term goal is to produce albums of synthesized music. The > > > > type of synthesis that I am interested in is the antithesis of > > > > techno or industrial type music. I am not particularly interested > > > > in rhythm. I love sounds that are pleasing to the ear, or to put it > > > > another way are aesthetic. > > > > > > > > I have spent a good deal of time studying what exactly makes a sound > > > > fall into this category. Its not just consonance, it can also > > > > involve resolving dissonance. It's about combinations of harmonics > > > > and patterns of notes and how they relate to each other. > > > > > > > > I am terribly interested in the synthesis of traditional > > > > instruments, not so much because I want to replicate them, but > > > > because I want to understand why their sound is pleasing. If > > > > traditional instruments were not pleasant sounding they would never > > > > have lasted for hundreds of years. The synthesizer is still very > > > > young, but it is certainly very capable. This is not to say that I > > > > don't like or appreciate other styles and other directions. But I > > > > have always been attrracted to music that involves building > > > > sonorities and that involves symmetry. > > > > > > > > I believe that music is something that is hardwired into the brain, > > > > and that there are certain sounds and combinations of sounds that > > > > can impart specific emotions. > > > > > > > > So, my goal when I play around with my synth is to create sounds > > > > that I can combine to produce an emotional response in the listener. > > > > > > > > Paul Haneberg > > > > > > > > > > > > > ------------------------------------------------------------------------ > > > *Yahoo! Groups Links* > > > > > > * To visit your group on the web, go to: > > > http://groups.yahoo.com/group/motm/ > > > > > > * To unsubscribe from this group, send an email to: > > > motm-unsubscribe@yahoogroups.com > > > <mailto:motm-unsubscribe@yahoogroups.com?subject=Unsubscribe> > > > > > > * Your use of Yahoo! Groups is subject to the Yahoo! Terms of > > > Service <http://docs.yahoo.com/info/terms/>. > > > > > >
Message
Re: Patch Book
2005-05-27 by Mike Marsh
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