MOTM

I had a request regarding the 120 - maybe someone else was thinking the same. Would it 
be possible to get some samples of what it does in terms of just adding the sub-octaves?

I know, it's a boring request, but while it's nice to hear what it's theoretically capable of - 
full-on intermodulated extremeness - for my purposes it'd be much more useful to know 
what it sounds like when *just* adding the sub-octaves.

Some of you might say "it sounds like the original, but with four sub-octaves" but there 
are sub-octaves and there are sub-octaves, if you know what I mean.

just my 2 cents,
Matthew

--- In motm@yahoogroups.com, Tom Adam <tom.adam@p...> wrote:
> I was surfing the net a bit and stumbled over this link:
> http://www.techman.synth.net/techman_website2_00002e.htm
> copy:
> "When it came to testing this module, I was a little perturbed that
it 
> didn't work as I expected. in sub mode, turning up each of the four
sub 
> octave pots produced glitches in the audio if I had signal on both
the A 
> IN and B IN jacks. This couldn't be right. ... This time I happened
to 
> put the scope probe on the non-inverting input of the input
comparator, 
> and lo, the glitching stopped. Aha.. the capacitance of the scope
probe 
> had stopped the clock jitter. Solution: I happened to have a couple
of 
> 18pF ceramic caps handy, so I put these across the non-inverting
input 
> and ground (Pins 2 & 1) of both of the 311 comparators. Problem
solved. 
> The module now appears to work as intended...."
> 
> Since I was experiencing the same problem, I tried it out.  I
needed to 
> take apart the whole module to be able to fit the caps, but the
result 
> is very nice. Now I know what a MOTM-120 should sound like. Very
cool!
> 
> Cheers,
> Tom