MOTM

Right.  I've read some other books.  I have the A. Strange book (I have not
made it all the way through."  But, I think there is room for something with
a greater level of detail that makes the difference between an average
acoustic patch and a really great one (like the ones we hear from Ken).

I often wonder how well patching and emulation would have evolved by now if
digital sampling had not pushed the manufacturers in a different direction.

Larry


-----Original Message-----
From: motm@yahoogroups.com [mailto:motm@yahoogroups.com]On Behalf Of
paulhaneberg
Sent: Wednesday, May 18, 2005 10:12 AM
To: motm@yahoogroups.com
Subject: [motm] Re: "Wooden Recorder" 440 demo


Add me to the list of one who would pay $100+ for such a book.
But, not just any book.  I'd like to see patching diagrams.  But I'd
also like to have detailed explanations as to what each module is
contributing to the sound and what the thought process was in deciding
to do the patch the way it was done.  And I'd like to see it cover a
large range of instruments.

Ken Elhart rules!!!

For those looking for other sources, there was a long series of
articles that ran in Sound on Sound magazine on this topic.  I think
most of them can be accessed online.  I think the column may have been
entitled Synthesizer Secrets or something of the sort.







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