MOTM

I think we're talking about the same event.  I had the year incorrect in
my notes.

  I few years ago I tried to track down John Seng for a discussion /
interview about the GX1, but alas I found his obituary.  I did learn from 
Gary that John created the 'preset voices' for the GX1.  That is, the tone 
modules that have fixed resistors in them as opposed to the little 
trimmers.  He would set up a voice on the programming box, then the 
engineer would record the resistance values of each trimmer to fashion the 
fixed divider settings for the preset modules.  Gary later did the same 
thing for the CS-80 presets.

  The 'amplication' was doubtless a pair of TX-III tone cabinets, made for 
the GX1.

Crow
/**/

On Thu, 17 Feb 2005,  wrote:

> Very interesting. A friend of mine heard it in 1975 at the Oakland
> Paramount, being played by John Seng (who, I think had something to do
> with some aspects of the design), and reported precisely the same
> reaction.
> 
> Apparently Seng had quite a bit of amplification, and it was all parked
> on the orchestra lift. As he came up on the lift playing, it got louder
> and louder and louder, with a rather shocking further increase when the
> speaker system cleared the pit rail!
> 
> I'd love to have been there...
> 
> Frank Vanaman