Rather than have a whole polyphonic DX-7 in a 1U space, I'd like to see a DX-7 operator in a 3U or 4U space with all the control functions handled by individual knobs and switches. No menu's please! With a number of these you could build a DX-7 voice with the patching serving as the algorithm selection. You could patch in filters and other processors between operators within the algorithm as well. I would buy 6 or more without question. Maybe Zimmer would even buy some. :) To me, one of the main attractions of a modular is the user interface. I love the one knob equals one function concept. I absolutely hate having to step through multiple layered menus while squinting at a tiny LCD screen. If we can't have real knobs, lets have virtual knobs on a large computer screen. (I'm also one of those old guys who can't see quite right anymore.) I would also agree that one of the most useful modules would be a high quality delay line with a large range. The range should go down perhaps as low as 100 microseconds and perhaps as high as 30 seconds. Over at least some of that range you would want 1V/Octave control with good precision. (In other words the delay time would half for each octave you went up) The low range would be useful for experimenting with correlation effects and physical modeling, the mid range for flanging type effects and the high range for simulating tape delay. The feedback loop should be patchable to allow for the insertion of limiting or filtering. The key to the whole thing is to either have no stepping or steps small enough to prevent zippering. Another interesting module could be a filter bank or parametric type filter of the FIR type (finite impulse response.) How about a fourier series generator? The possibilities are really endless. But I personally would rather have a large panel with a lot of knobs then a little panel with an LCD and layered menus. Paul Haneberg
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Re: Update
2005-02-11 by paulhaneberg
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