MOTM

Hi everyone,

I haven't posted in years but thought I'd take the opportunity of topic to
mention how much I enjoyed reading "Analog Days: The Invention and Impact of
the Moog Synthesizer" by Trevor Pinch and Frank Trocco. I found it very
interesting since I wasn't around (or still learning to walk, etc) when the
first Moog modules were coming around. A lot of good stories from the 60's
and 70's from different artists and Dr. Moog too. Good photos from the
factory and various concerts as well.

Thanks,
John

on 9/30/04 8:30 AM, Dana Countryman at dana@... wrote:

> Hey all,
> 
> I posted this review to the dotcom group, and thought I'd post it
> here, as well:
> 
> <<Just saw the MOOG MOVIE documentary last night in Seattle.
> 
> It's about 70 minutes long,and mostly features Bob Moog
> discussing his philosopy about electronic synthesis and his love
> of instrument making. It is not an in-depth look at his life, but
> merely focuses in on how the Moog (minimoog, in particular)
> changed the face of pop music.
> 
> Rick Wakeman talks about the impact the instrument made, and
> he's featured in a performance at last year's MoogFest in NYC.
> Ditto for Keith Emerson, who doesn't speak, but plays his
> massive modular at MoogFest.
> 
> Very interesting interviews with Bob talking to Gershon Kingsley
> and Walter Sear, but NO chat with Wendy Carlos, at all. Which I
> find a glaring omission. Just a brief mention of "Switched-On
> Bach", actually.
> 
> Jean Jacques Perrey is seen briefly in concert with Luke Vibert in
> London, and there's a healthy clip from a Stereolab concert, as
> well.
> 
> The film really could have focused in more on WHY the classic
> sythesizers (Moog clones and minimoogs) have made a huge
> comeback at this point in time, and could have taken a more
> detailed look at the various parts of the big modular.
> 
> Nevertheless, we get a brief look inside Moog Music, Inc. factory,
> and actually get to watch a Voyager getting put together, which I
> found really interesting.
> 
> I also got a copy of the CD soundtrack, which is not nearly as
> interesting to me, and mostly features various modern artists
> (most of whom I'd never heard of) noodling away at minimoogs,
> via hip-hoppy sampled beats. Yawn.
> 
> It does come with a second bonus disc, which has some classic
> Moog-rock recordings like ELP's "Lucky Man", and Jean
> Jacques Perrey's "EVA". But including YES doing "Close To The
> Edge" seems a bit out of place.
> 
> It's all redeemed (in my eyes) with a wonderful cover of "Baroque
> Hoedown" by THEY MIGHT BE GIANTS.
> 
> So there you go.
> 
> Cheers,
> 
> - Dana Countryman
> http://www.danacountryman.com
> 
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