MOTM

Oops, sorry, my bad!  Yes the end is fantastic, too.  That's one of 
my favorite pop-type synth pieces.

I'll post a few MP3s to the files section so you can hear what I 
did.  I'll also post one that I did with an Oakley filter (the 
svf).  The key is a good envelope follower/gate extractor and Tony 
makes a great one.

--- In motm@yahoogroups.com, jwbarlow@a... wrote:
> In a message dated 5/3/2003 4:28:29 PM Pacific Daylight Time, 
> mmarsh@w... writes:
> 
> > Karnevil #9 was actually done 
> > with the output of a sample&hold to the FM input of a filter (I 
> > think I read that in  a long-ago keyboard interview with KE's 
> > tech).  But that's *not* to say that same effect couldn't be 
> > achieved with a sequencer - the pattern would just be more 
> > repetitive.
> > 
> 
> Actually, I meant the very end of the record (where the Moog goes 
crazy and 
> blows up with all the smoke coming out of it, and the sequence 
spins around 
> your head in ... QUAROPHONIC!!) not the "Welcome back my 
friends..." bit.
> 
> > In the guitar world, the AdrenaLinn is a very cool device that 
uses 
> > a sequencers to modify the parameters of various well-known 
guitar 
> > effects.  The results are spectacular, particularly when the 
> > sequencer is sync'd to the tempo of the tune.  Move over all you 
> > keyboard players (oops, now I'm in for it).
> > 
> > More boring syuff: when the AdrenaLinn first came out, I REALLY 
> > REALLY wanted one but I had an addiction problem (MOTM).  So 
> > instead, I hooked my guitar through a 440 gated by an 800 driven 
by 
> > a 101 and got really nice results.  I put the output of that 
through 
> > either an Oakley Equinoxe or a 410 for more funkiness.  Coolio!
> > 
> 
> I'd very much like to check this out. There are actually quite a 
few of us 
> geetar players out here in MOTM land and we're ready to take on 
all them 
> keyboard players!
> 
> JB