MOTM

It's more weird because lots of people I know think I'm "out there" 
musically, but I don't think so myself.

Amazing thing about this show was the range of sounds I was able to 
get out of 2 MOTM modules:
MOTM-120 Sub Octave Mux, MOTM-420 Filter, MOTM-320 vcLFO

Chaos patches were well appreciated, and blending the highpass from 
the 420 with my Juno-106's lowpass sounded nice.

At first, I was upset because my mixer ended up being used as a 
master mixer for everyone, but then I realized I had 2 mixers right 
there in my MOTM rig.  "Sweet."  For the real estate, this stuff is 
amazing.  Actually, for anything it's amazing.

Best quote:  "So why did you keep plugging things in and unplugging 
them?"  Next time i'll set up with my back to the audience... anyone 
do it that way, or the other way?

(Still excited from the live debut of the teeny tiny MOTM setup)
--- In motm@y..., "osthelder" <osthelder@n...> wrote:
> 
> > But, it's odd to be the most concrete/mundane person in a group!  
> I'm 
> > the engineer with the patch cords...  surrounded by...
> > 
> > DIRTY HIPPIES!
> 
> Usually, it's the other way around for me.  Being the most right-
> brained (certainly the longest-haired)engineer at my company AND 
the 
> most technical in groups of fellow artists makes for some 
interesting 
> moments.  However, being involved in experimental music ASSURES 
your 
> being an outcast!
> 
> Party on!
> 
> Chub-hiding in his studio