MOTM

--- In motm@y..., media.nai@r... wrote:
Re: Crest

> I didn't notice g1-g4 when I looked at their webpage.

Okay, understood. They are smaller (60mm?) faders. :(

>I'm going to download the pdf manual check to see if it has a
>"control room" or "FOH monitor" output in stereo.  I need to
>be able to monitor in stereo.

There is a stereo monitor section by the mono master and an 
"alt" (pre-fade) out over the L-R masters. Better yet would be 
monitoring with something from (or similar to products from) the 
link below:

http://colemanaudio.com

>Unfortunately, it (WZ14:4:2+) won't monitor PFL (solo) in 
>stereo.  The PFL and AFL busses are mono.  So it's not an 
>option.

Sounds like you want "solo-in-place" or mute groups. I don't 
know if you'll find that in a small format analog mixer. I'll check 
the Midas again. Aren't AFL/PFL always mono? After Fader 
Listen / Pre Fader Listen - you want After Pan (Balance) Listen. I 
suppose this makes the most sense for stereo channels. On a 
mixer without "solo-in-place", I do this manually by muting the 
channels I don't want to hear. It is a PITA with lots of channels.

> CAD??

Conneaut Audio Devices, they only make mics now (out of the 
old Astatic plant):

http://www.cadmics.com

http://www.astatic.com (check out the D-104 Silver Eagle)

I had a CAD Maxcon 16, now serviced by (no pictures, etc.):

http://www.qcables.com/cad_maxcon/

You can probably search out some more info if you're interested. 
Excellent design, not so great mechanical construction. To wrap 
this back to slightly more on topic: I still have one of their 
modular effects units - single rack space with space for 8 
modules. I have four modules: comp/gate, dynamic filter/exciter, 
exp/gate and variable dynamics. The sound good and I like to 
use them in modular synth patches.
 
Barry