MOTM

>>>>And finally you can do a crossfade for each and every CV, rather than
simple switching. That means a dual VCA for *each* parameter. I think
there is good reason to call this "morphing".

JH:

This is a really good point. (I had a patch editor for my old Yamaha TX81Z
that allowed you to "blend" all of the parameter values between two patches
by a percentage (or randomize) to come up with a "new" sound, and it was
actually useful. They didn't call it "morphing" but it's the same idea. The
sound you get from modulating between all of the parameter values of two
patches is differnt from just blending the two output waveforms. That's just
mixing.)

I agree with all of your points, and that makes everything much more clear.