MOTM

Oh, and I forgot to mention chaos patching.  Put cables where you 
don't think they belong, particularly where you think they might feed 
back.  There are a couple of great examples in the News section of 
Paul's Web site.

Mike

--- In motm@y..., "Mike Marsh" <mmarsh@s...> wrote:
> Hey Richard -
> 
> I'm not sure about the Shepard Function (maybe requires delay with 
> feedback) but I'll share a few of my favortie tricks for getting 
MOTM 
> to play *ahem* himself.
> 
> 1) Use the 101 S&H for well-known randomness.  This is a cool way 
to 
> explore new timbres.
> 
> 2) Use the 320 as the S&H IN.  Try all the waveforms and play with 
> SHAPE and RATE on the 320 and LEVEL and SPEED on the 101.  
Seemingly 
> endless variety of patterns emerge. This could even be more fun 
with 
> a quantizer (hint hint Paul and I know the MiniWave has a 
quantizing 
> trick up its sleeve).
> 
> 3) Use a 300 into A IN of the 120 and the 320 SIN into B IN and put 
> the 120 into CROSS mode.  Vary RATE on the 320.  Don't forget to 
try 
> the WHITE OUT of the 101 as B IN as well!  Mayhem!
> 
> 4) Use a sequencer: UEG, Mobius, or software.  Total fun and much 
> music results.
> 
> Have fun!
> 
> Mike
> 
> --- In motm@y..., phaeton777@y... wrote:
> > Hi,
> > 
> > Does anyone know how to patch existing MOTM modules to create the 
> > Shepard Function "Barber Pole" effect? Or any other non-repeating 
> > patches? I like listening to my synths play themselves...
> > 
> > Richard.