Emax

Hi Daniel,

If you want to use the stereo outs as mono outputs all you need to do
is go into dynamic processing and set 19 (panning) to hard left or
right for the voices you want separate. This will work with mono
samples as long as you don't have 20 (chorus) turned on. For stereo
samples, and mono samples using chorus, I believe the panning just
adjusts the stereo width i.e. centre panning is the left and right
samples sent to both left and right outputs while panning hard left
and right routes the left and right channels to opposing outputs.

As an example, if you had a drum kit consisting of kick, snare,
high-hat and cymbal you could have each of the four sounds coming out
on one of four separate mono outputs. Set the kick to output pair A
and pan hard left, set the snare to output pair A and pan hard right,
set the high-hat to output pair B and pan hard left and set the cymbal
to output pair B and pan hard right. Then when you hit the key ranges
for each sample you will get polyphonic output of each of the sounds
from the four separate mono outputs of the A and B stereo pairs. But
you will also still have two more stereo pairs to assign other sounds
to, either in mono or stereo

Regards,

Tristan

Monday, August 31, 2009, 5:23:32 AM, you wrote:

>
  
You're right of course. Anyway, it's all set up properly now and will sample correctly in stereo or mono.

All of the outputs are connected up and I was able to record three stereo channels simultaneously in my DAW. 

I have a 16-input sound card, of which 14 are now in use (!).

BTW., using mono samples would make a lot of sense if there were some way to configure each stereo out as two mono outs. Am I right that this is impossible?

D.

why are you sampling this way totally useless and a waste of memmory the reason you sample stereo is to catch the stereo feild of a recording sounds that are on the left and not the right and vice versa

from a mono source just sample it mono as it has no stereo field if you want it stereo then put it through an effects machine and sample the stereo output

ore sample it mono then use the lfo to pan the sample in the stereo field that way you save memory and its stereo on the way out of the machine
----- Original Message ----- 
From: Tristan 
To: Daniel Baum 
Sent: Sunday, August 30, 2009 12:27 AM
Subject: Re: [emax] Stereo sample phase reversal?

Hello Daniel,

I would say the output of your soundcard is balanced TRS, where the
tip and ring carry the same mono signal but with inverted polarity.
However, the Emax II sampling input uses the tip and ring of the TRS
plug as unbalanced left and right signals. So when you sampled in
stereo you were not getting stereo, just normal and inverted mono
signals. If you want to sample in stereo with your present cable then
try plugging into a stereo TRS output like a headphone socket.
Otherwise you will need a Y adapter plugged into the Emax II sampling
input so you can connect it to separate left and right unbalanced mono
signals.

Regards,

Tristan 

Saturday, August 29, 2009, 6:59:19 PM, you wrote:

DB> 
DB> Hi all,

DB> Something wierd happened while I was recording with the Emax II
DB> and I'd really like to understand why.

DB> Here is the setup I used (I suspect this is the problem)

DB> The bass and flute parts are homemade samples. They are stereo
DB> samples, but they were sampled from a mono source. - a single
DB> output on my soundcard. The used a stereo cable running from a
DB> single output of the soundcard to the stereo in of the Emax II,
DB> and sampled in stereo. When I later recorded the bass line of the
DB> music, I recorded it in stereo, and it came out with the phase of one channel reversed:

DB> http://www.type34.info/temp/My%20Compositions/basswave.jpg

DB> I would have expected the two channels to be identical. Does
DB> anyone have any idea why this happened?

DB> Thanks,

DB> Daniel

DB> [Non-text portions of this message have been removed]

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