Emax

Was: "Celebrity Emaxes..."  etc.

Hi Everybody!  :-)

While you guys continue that thread can I start a new one...?  It's  
related and I think it's what
we're really after here.  It's about designing great sound.

I saw the "Violator" concert.  I owned an Emax at the time (and still  
have it and use it).  Yes, DM
had piles of Emax IIs on stage for the concert.

But what this is really all about, the thread, is designing great  
sound -- isn't it?

A better question would be WHO sat around and designed the sound that  
DM played on those Emax IIs
in concert, etc. I think.

My guess is that these guys were all designing on an EIII and -- other  
gear -- and dumping onto Emax(s) for performances.
I think I can hear Spectral Synthesis work on "Violator" for example  
-- unless I'm imagining it (which I may very well be!)

What I think is strange is that people dump their gear in this way...   
Many of the "popular" artists today are sending somebody
out to purchase all of this "vintage" gear and use it for it's unique  
sound capability -- so why dump it in the first place on eBay?

Yeah, yeah -- the Native Instruments sound is hot right now -- so  
what???!

As an example, an old friend of mine designed sound for a large film  
before I'd met him.  When I asked him about his sound designs
he said to me:  "I was using a lot of DX7 sounds at the time."  I was  
REALLY surprised by that, but then I could hear the DX7, but
it really wasn't a DX7 anymore.  He'd multi-tracked the sounds, sped  
them up and slowed them down with tape, re-recorded and
processed the sounds, so the source was the DX7 but the end product  
was NOT a DX7 in the film it was my friends own ear and
way that he heard things.  It was his Sound Design artistry.

Isn't that what we're really talking about here? (Or should be talking  
about?)

Who cares who had what keyboard!  LOL!!  That's like worrying about  
which Macintosh Steve Jobs used!
It's rather absurd, isn't it?!

So can I start a thread about Sound Design and what makes you love and  
cherish your Emax so much, rather than what
rock star used to use your keyboard back in the 80's?  We can have two  
threads.  Continue the old one and start a new one?

(I don't care a god-dxxx about Roland Orzaball -- or whatever his name  
was!)  ;-)  :-)
But if you do god-bless you!  That's what you like!  :-)

So let me start-off the thread by where our Jammie Emma left-off by  
saying that it's the Emax/EMU filters that can make the
difference and give that beautiful incredible sound to a sample that  
you don't hear elsewhere.  I thought that was a brilliant
observation by him and quite true in my experience!  Yes, I love the  
EIII, EIV and Emax because of the filters.

And on the Emax HD SE
I have I love the Spectral Synthesis feature because one can come-up  
with some remarkable samples with experimentation. Also,
the TM (Transform Multiplication) engine!  Now that makes for some  
great discussion!  Yes, they take far too long to use with 1 MG
of RAM and processing time!  :-)  But go and make yourself a cup of tea!

I'll never give-up my Emax HD SE.  Period.

Steven

PS - No insult to anybody!  If you like your Jimi Hendrix Strat --  
cool!  ;-)  It's all great!

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