I trust everyone is familiar with Ken Stone's Catgirl Synth:
http://www.cgs.synth.net/Ken's
stuff epitomizes the unusual type of module and offers a large
number of designs for use in "unpredicability" patching. A number of
Cynthia's modules have been based on Ken's designs. If you can build
from a PC board (or get someone to do it for you), the Burst Generator
is available from Ken right now. I have built a good number of Ken's
designs for my own synth. Among my favorites are the Analog Shift
Register, the Infinite Melody and the Burst Generator.
http://www.pugix.com/top-cabinet.htm#burstgen-Richard Brewster
glaxon modulators wrote:
> thanks for the info - you kind of managed to ground my head down a
> bit in terms of preliminary orders and what we should focus on , i am
> hoping cynthia will re-introduce another burst generator type device
> as i like the sound it it .What attracts me to these modules is they
>
seem ' abnormal ' in best possible sense and somewhat perplexing and
> as you said will require some learning and experimentation rather
> than predictable patching.Were looking at an ' unpredictablity device
> ' here ' .
>
> Ive been using the Nord modular to attempt emulation of combinations
> (ok so very rough emulations of sorts but to get an idea of potential
> ) its interesting , i did a kind of super psycho lfo emulation of
> sorts just to see the kind of sounds it could do or ' may ' do and
> tried a few ideas like this .
>
> I think i know where i am now ?
>
> matt
>
>
>
> */legion01x <
legionhwp@gmail.com>/* wrote:
>
> Forgive me but I edited your email in a few basic questions to address
> them easier :)
>
> > Our studio has decided to build over time a large modular
, the
> idea
> > is to build something which can run 4- 6 monophonic parts minimum
> > for now ,and then i came to randivide and were like heaviliy into
> > random here Our aim is to create complex autocompositions
> >whats a good balance of modules.I know what filters we need and what
> > Vco i think :)
>
> I have a decent sized cyndustries/modcan banana system now and use it
> a LOT for autocompositional mayhem. My advice is to start with a few
> of the more esoteric modules along with your basic VCOs and such that
> you know you'd like and see what does the trick for you. The
> Cyndustries modules are the most inspiring and unusual pieces I have
> worked with and I've learned it takes sometime actually *using* the
> modules before you realize what they can do for you. As a result I
> wouldn't suggest buying four of anything but if you have the money buy
>
a few of different modules and see what works and interacts the best.
>
> For specific suggestions I'd reccomend at least one of the following:
>
> Cyndustries:
> - Randivide
> - Buchla Quad Lowpass gate
> - VC ADSR Version III
> - Gate Sequencer
> - Prime or Rhythmic divider (or both!)
> - Psycho LF0
>
> In Modcan items pick up:
> - Quad LFO (I cannot emphasize how useful this module is, it can be a
> basic trigger, a raw VCO, or even a weird cv mixer)
> - 6x2 Mixer (or the Cyn MixSix, or other Modcan mixer)
> - Processor (OR Cyn Anything Module)
>
> Now for other things I'd HIGHLY reccomend if you're going for unusual
> and autocompostion items I say the following if you can
> find/afford them:
>
> Zero Oscilator - This will keep you busy exploring new tones and areas
> for a long long time.
>
> Burst Generator - Out of
production but snap one (or two) up if you
> ever see them used. Incredilby useful for throwing a standard patch
> into chaotic territory.
>
> Dark Star Chaos - Also out of production but very useful for not only
> unusual timbres but also as a modulation source.
>
> >not sure what i need and what if these modules as limited editions go
> out of production :) ' syndrome.
>
> That is a concern in addition to the fact that you may have to wait a
> few months before your order is complete. My advice is talk to Cynthia
> and Bruce to determine what they might have available now and down the
> road. Cynthia has already mnentioned the Randivide is going out of
> production but again you really won't know if that is what you "need"
> until you use it a bit. If you are concerned about "missing out" on an
> existing module I'd say err on the side of caution and buy two at
>
least if you can afford it. You will *always* be able to sell them
> later. I built 90% of my system from used sales (including many
> modules still in production) and prices weren't always that much less
> than "new" but they were available. These modules have a rabid
> following and for better or worse many of us have the "bug" and snatch
> them up whenever available.
>
> > i know this is an possible unanswerable question ! the system will
> > focus heavily on special fx and noise effects , the ran divide i
> can
> > see us using alot.
>
> You didn't mention your budget so Id say mix and match to get the
> widest variety of things within what you can afford. Grab the ones you
> feel will be the most useful (OOP or otherwise) first.
>
> > Hope someone can make sense of my logic ?
>
> Hopefully my response does?
>
> > Ps is 1 logic pack
enough :)?
>
> Again I would go for a logipac and a staircase comparator or other
> clock/divide/logic module before buying two of one module. You gain a
> lot in Cyndustires stuff by mixing different modules together.
>
> > (i just heard someone say , you can never have enough !)
>
> Well be careful because that is true! If you want to know the
> dangerous and addicitve side of this look in the "user setups" photo
> album. In April of this year I had two sixpaks of Cyndustries modules
> only (Legiongoesbananas.jpg). Today I uploaded a picture of my modular
> taken four months later (Legion_bananastwo.jpg) which now has FIVE
> sixpaks (including two ZeroVCOS), a Serge Panel, and a Serge TKB. Not
> pictured are the Fenix, an Anything Module on order, and an empty
> sixpak (which I am hiding from myself least I fill it up!!).
>
> And this is JUST the banana
modular not the vintage stuff or 1/8" euro
> and frac systems in my studio. ouch!
>
> :)
>
> Have fun!
>
> _D
>