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Fw: Wiard (Re: [SergeModular] Re: greetings serge users/a request f

Fw: Wiard (Re: [SergeModular] Re: greetings serge users/a request f

2001-06-01 by Sebastian Kuehnl

Oops..

----- Original Message -----
From: "Sebastian Kuehnl" <skuehnl@...>
To: <SergeModular@yahoogroups.com>
Sent: Friday, June 01, 2001 5:05 PM
Subject: Wiard (Re: [SergeModular] Re: greetings serge users/a request for
opinions.I.M.O)

: The Envelators can be set to act as whole number dividers (with pulse- and
: slewed output) within their frequency range

Range is a cycle about every 20 (I think) seconds to 500 cycles a second.
Seems narrow compared to the USG, however, the control changes from
exponential to linear at the higher end to permit this range.

: The 8bit output of the Wavecity
: will apply the more aliasing (introduce audible stepping) to very low
: frequency input the more "hilly" (think of many many ups and downs - up to
: 128 waves per transform function) the transform is, and apply the more
: aliasing to high frequency inputs (now perceived as noise) the "smoother"
: the transform is.


Hugh -- swap "hilly" and "smooth" please!

SK


:
: BTW how are the 256 steps in the Wavecity interpolated?
:
:
: Sebastian Kuehnl






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Re: Wiard (Re: [SergeModular] Re: greetings serge users/a request f

2001-06-01 by C. Whitten

Sebastian.....and others,
very interesting posts about the Serge filters and your thoughts on the
Wiard system. If I might add a couple of simplistic points...
I see what you are saying about the Serge filter characteristics but
wouldn't it make sense to offer a 'fatter' filter for those times when you
want to patch a VCO, VCF, VCA type sound. I think when people have mentioned
the filters it was really in the context of the Serge being so complete in
every other way.
Comparing Wiard to Serge (and my only experience of Wiard is online so to
speak), the beauty of Serge is that anyone with a little modular experience
can put together very simple patches straight away. The Wiard just looks so
complicated to me. I want to be able to see where to stick my cables to get
a simple patch going without having to figure out new terms like mixolator
or envolator.
Finally, sometimes I find the more complex a patch and the more cables and
modulation I employ the more the sound disappears up it's own arse.
The great thing about Serge and why I would always recommend it is that it
can be so simple and yet so deep.
CW

Wiard (Re: [SergeModular] Re: racehorse of modulars ???

2001-06-01 by sonic@sonicboomuk.fsnet.co.uk

--- In SergeModular@y..., "C. Whitten" <chris@c...> wrote:
Show quoted textHide quoted text
> Sebastian.....and others,
> very interesting posts about the Serge filters and your thoughts on
the
> Wiard system. If I might add a couple of simplistic points...
> I see what you are saying about the Serge filter characteristics but
> wouldn't it make sense to offer a 'fatter' filter for those times
when you
> want to patch a VCO, VCF, VCA type sound.



I wonder if anyone buys Serge gear to patch it like any other
synth ? I agree the filter is not the "moog" standard , but neither
are the oscillators .they are incredibly reliable & hi-quality , but
less perfect oscillators useually sound "fatter". I wonder , if the
Serge was ever meant to be used to mimic when it has the ability to
be original , subtle , outrageous & infinite .
would you pull a cart with a racehorse ? i.m.o. it seems a close
analogy ? If you gotta move spuds , the carthorse everytime - but if
your punting on the National......?
I think Serge , EMS , Buchla ,Wiard etc. all employ & embody a
distinct personallity. sometimes expecting them to be jack of all
trades , is knoiwing they'll be master of none . ?????







I think when people have mentioned
> the filters it was really in the context of the Serge being so
complete in
> every other way.
> Comparing Wiard to Serge (and my only experience of Wiard is online
so to
> speak), the beauty of Serge is that anyone with a little modular
experience
> can put together very simple patches straight away. The Wiard just
looks so
> complicated to me. I want to be able to see where to stick my
cables to get
> a simple patch going without having to figure out new terms like
mixolator
> or envolator.
> Finally, sometimes I find the more complex a patch and the more
cables and
> modulation I employ the more the sound disappears up it's own arse.
> The great thing about Serge and why I would always recommend it is
that it
> can be so simple and yet so deep.
> CW

Re: Wiard (Re: [SergeModular] Re: racehorse of modulars ???

2001-06-02 by C. Whitten

> I wonder if anyone buys Serge gear to patch it like any other
> synth ?
Yes!
And due to the investment required there might not be any cash left to own
another synth.

> I think Serge , EMS , Buchla ,Wiard etc. all employ & embody a
> distinct personallity. sometimes expecting them to be jack of all
> trades , is knoiwing they'll be master of none . ?????
Serge is so good I don't think it is too much to ask.
I enjoy using it so much I virtually use it for everything and would hate to
have to base every composition around the esoteric qualities alone.
It doesn't seem to me that difficult or expensive to introduce a different
sounding filter. Nobody has accused Wiard or Fenix of pandering to the Moog
sound.
It comes up so often I guess the filter issue is now quite tedious.
On the other hand it seems to be (apart from prices) the only 'weakness'
anyone ever expresses about the system.
I agree with those who point to everything else a Serge can do but it's not
always possible to have thousands of dollars tied up in a cutting edge,
electronic sound machine. For the want of another filter it would be easier
to create run of the mill sounds as well.
Why not? It's evident that Malcolm Cecil patched some simple sounds
occasionally on Tonto.....even using the odd Moog filter.
CW

Wiard (Re: [SergeModular] Re: racecourse of modulars ???

2001-06-02 by sonic@sonicboomuk.fsnet.co.uk

--- In SergeModular@y..., "C. Whitten" <chris@c...> wrote:
Show quoted textHide quoted text
> > I wonder if anyone buys Serge gear to patch it like any other
> > synth ?
> Yes!
> And due to the investment required there might not be any cash left
to own
> another synth.


But , is that ever the case ? anyone out there only ever had a
Serge ?



>
> > I think Serge , EMS , Buchla ,Wiard etc. all employ & embody a
> > distinct personallity. sometimes expecting them to be jack of all
> > trades , is knoiwing they'll be master of none . ?????



> Serge is so good I don't think it is too much to ask.

I dont follow this logic....why should it be a carthorse &
racehorse ...wy a Bentley & a mini-cooper ?


> I enjoy using it so much I virtually use it for everything and
would hate to
> have to base every composition around the esoteric qualities alone.
> It doesn't seem to me that difficult or expensive to introduce a
different
> sounding filter. Nobody has accused Wiard or Fenix of pandering to
the Moog
> sound.

The Fenix sounds nothing like Moog stuff . The filters are all
differant to Moog standard.


> It comes up so often I guess the filter issue is now quite tedious.
> On the other hand it seems to be (apart from prices) the
only 'weakness'
> anyone ever expresses about the system.


I find the filters to be versatile & usefull in ways an Oscar
(i.m.o. -better than the moog........) or other synths cannot manage.
you cant have your cake & eat it....


> I agree with those who point to everything else a Serge can do but
it's not
> always possible to have thousands of dollars tied up in a cutting
edge,
> electronic sound machine. For the want of another filter it would
be easier
> to create run of the mill sounds as well.


Run of the mill ? you said it . Serge have very wisely I.M.O. avoided
all the cliched moog/tb303 drivel .I dont think history will be as
kind to Moog as he would have peeple beleeve.....I.M.O.

> Why not? It's evident that Malcolm Cecil patched some simple sounds
> occasionally on Tonto.....even using the odd Moog filter.

And you can use Moog or any such lesser system (fighying talk...)
with your Serge . You have aq fenix ? whats the problem ? especially
as the Fenix is about the same cost as some serge modules.....?
p.k.
> CW

Serge Filters...

2001-06-02 by Les Mizzell

I'd really like for somebody to post a series of sounds - using a simple
waveform, and maybe another series using noise - through the various
filters, just so I can hear what they sound like...

Seems to me that two 18db filters in series could sound pretty fat, if
you've got two of them in your system...if the 'fat' sound is what you're
going for. Plus, what does the "4 pole filter patch" on Egres sound like?


Les Mizzell
-------------------------------------
-------------------------------------
A three legged dog walks into a saloon
in the Old West. He slides up to the
bar and announces: "I'm looking for the
man who shot my paw."
-------------------------------------
-------------------------------------

Re: Wiard (Re: [SergeModular] Re: racecourse of modulars ???

2001-06-02 by C. Whitten

> You have aq fenix ? whats the problem ?
Just having a debate mate!!!!
The whole thing came out of Bill's request for info on a 'first modular'.
I'm not the one who has questioned the Serge filters, criticism has cropped
up now and again (more often on Analogue Heaven).
Call me devil's advocate, my only point being:
Why not debate another Serge filter, unless you think the system should rest
on it's laurels and never develop. It doesn't have to be 'cliched moog/tb303
drivel' either.

Re: Wiard (Re: [SergeModular] Re: racecourse of modulars ???

2001-06-02 by ART Records

>>> I think Serge , EMS , Buchla ,Wiard etc. all employ & embody a
>>> distinct personallity. sometimes expecting them to be jack of all
>>> trades , is knowing they'll be master of none . ?????

>> Serge is so good I don't think it is too much to ask.
>
> I dont follow this logic....why should it be a carthorse &
> racehorse ...why a Bentley & a mini-cooper ?


I DO follow this logic - I think Chris is saying that he personally would
like something as high quality as Serge to do what most other high quality
'products' do: they do the simple things extremely well.

It's not something I am particularly bothered about - I like the esoteric
nature of the Serge - but the logic is quite simple.


>> I enjoy using it so much I virtually use it for everything and
> would hate to
>> have to base every composition around the esoteric qualities alone.
>> It doesn't seem to me that difficult or expensive to introduce a
> different
>> sounding filter. Nobody has accused Wiard or Fenix of pandering to
> the Moog
>> sound.


I've said this before but its worth repeating - I'm glad the Serge doesn't
have a 'moog-style' filter... I like synths to have their own individual
character. My synths all have strong personalities that differ strongly from
each other - but then I am lucky enough to afford a Serge + other gear.

Impressed as I am by the recording I'm now listening to (Subotnick's '4
Butterflies') composed exclusively on a Buchla system, I could not get by
with just a Serge for my purposes. Admittedly I do use the Audio Input of my
Minimoog a lot for the Moog-filter sound but I still like my Serge as it is.


> The Fenix sounds nothing like Moog stuff . The filters are all
> differant to Moog standard.


I don't think Chris was saying the Fenix does sound like Moog stuff.


>> It comes up so often I guess the filter issue is now quite tedious.
>> On the other hand it seems to be (apart from prices) the
> only 'weakness'
>> anyone ever expresses about the system.


Chris - talking of 'weaknesses' I still think the biggest 'weakness' is
having to buy an entire panel at a time rather than individual modules!


> I find the filters to be versatile & usefull in ways an Oscar
> (i.m.o. -better than the moog........) or other synths cannot manage.
> you cant have your cake & eat it....


Well, I'm not going to say one filter type or synth is 'better' than another
but I do think the Serge filter is incredibly useful in 'trigger' mode. I
haven't ever had the chance to hear the 'percussion' mode on the ARP 2500
multimode filter or any other ringing filters - anybody like to comment on
any differences between the models using this particular feature??

Is a ringing filter a ringing filter? or does the Serge VCFQ have a wider
range of perc sounds, etc, etc??

>> I agree with those who point to everything else a Serge can do but
> it's not
>> always possible to have thousands of dollars tied up in a cutting
> edge,
>> electronic sound machine. For the want of another filter it would
> be easier
>> to create run of the mill sounds as well.

> Run of the mill ? you said it . Serge have very wisely I.M.O. avoided
> all the cliched moog/tb303 drivel .

Surely most cliched music is drivel regardless of whether a Moog or TB303
was used? Let's not slag off certain types of sound or synths - its
pointless. I love both these instruments in certain circumstances...

> I dont think history will be as
> kind to Moog as he would have peeple beleeve.....I.M.O.

Interesting... I am a huge fan of the classic Moog sound when programmed by
certain 'artists' but personally I was very disappointed with the
Moogerfooger range design-wise. I just don't like the pedal format. I think
they have a good range of features and they are very reasonably priced. I
haven't heard them so I can't comment on the sound - but I wish they had
been made to fit in a modular panel format.

It will be interesting to see what the forthcoming Big Briar Performance
Synth has in store...

>> Why not? It's evident that Malcolm Cecil patched some simple sounds
>> occasionally on Tonto.....even using the odd Moog filter.

Ahhh.. my favourite synth sound... especially in the hands of Stevie...
speaking of which, Subotnick's finished - time for Fulfillingness First
Finale...

Kirk.

Re: Wiard (Re: [SergeModular] Re: racecourse of modulars ???

2001-06-03 by C. Whitten

> admittedly I do use the Audio Input of my
> Minimoog a lot for the Moog-filter sound but I still like my Serge as it is.
Nothing to be ashamed of.
Actually I was thinking yesterday that I wouldn't be able to identify a
synth off a current record (other than a TB303). Back in the days of
Zawinul, Duke and Hancock I think you could hear whether it was Moog or Arp.
Maybe it was because I already knew they were exclusive users of either
brand.
Final word on the subject.....
Maybe a possible true weakness of the Serge filters is that they are all
multi-mode. Just about every other modular has a dedicated LPF and HPF.
Is there anyone on this list who wouldn't be very excited by the prospect of
a new Serge filter coming on the market.
(I never mentioned wanting a Moog style filter. What about something unique)
CW

Wiard (Re: [SergeModular] Re: racecourse of modulars ???

2001-06-03 by sonic@sonicboomuk.fsnet.co.uk

--- In SergeModular@y..., "C. Whitten" <chris@c...> wrote:
Show quoted textHide quoted text
> > You have aq fenix ? whats the problem ?
> Just having a debate mate!!!!
> The whole thing came out of Bill's request for info on a 'first
modular'.
> I'm not the one who has questioned the Serge filters, criticism has
cropped
> up now and again (more often on Analogue Heaven).
> Call me devil's advocate, my only point being:
> Why not debate another Serge filter, unless you think the system
should rest
> on it's laurels and never develop. It doesn't have to be 'cliched
moog/tb303
> drivel' either.


Good stuff . Glad someone out there is'nt blinded by moog/tb303
nonsense.

I realise , this is the commonest "critiscism" of the serge
system , but it's always been a non-issue for me .
This will probably start a rain of mail , but I always found 12db
per o. filters better sounding on units I have offering both
options ,anyway.
I really wonder if it's all started from a spinal tap "goes up to
11" - larger the number (db per o. in this instance) the hotter the
product ?
Do you find your FENIX filters much better in 24 db as opposed to
12 db mode ? My unit was modded from new , but was your filter much
differant before/after Bert mod'd it ?
regards
p.k.

Wiard (Re: [SergeModular] Re: racesauce of modulars ???

2001-06-03 by sonic@sonicboomuk.fsnet.co.uk

--- In SergeModular@y..., ART Records <opart@d...> wrote:
Show quoted textHide quoted text
>
> >>> I think Serge , EMS , Buchla ,Wiard etc. all employ & embody a
> >>> distinct personallity. sometimes expecting them to be jack of
all
> >>> trades , is knowing they'll be master of none . ?????
>
> >> Serge is so good I don't think it is too much to ask.
> >
> > I dont follow this logic....why should it be a carthorse &
> > racehorse ...why a Bentley & a mini-cooper ?
>
>
> I DO follow this logic - I think Chris is saying that he personally
would
> like something as high quality as Serge to do what most other high
quality
> 'products' do: they do the simple things extremely well.
>
> It's not something I am particularly bothered about - I like the
esoteric
> nature of the Serge - but the logic is quite simple.


I understand your "logic" , but I have difficulty expecting 100%
perfection in anything -by nature doesnt this mean it must be a jack
of all trades ?
I'm trying to think of something else manufactured (not just
synths )that display this perfection . A Bentley/Rolls Royce
certainly doesnt , ditto Ferrari et. This is why I wonder.........

>
>
> >> I enjoy using it so much I virtually use it for everything and
> > would hate to
> >> have to base every composition around the esoteric qualities
alone.
> >> It doesn't seem to me that difficult or expensive to introduce a
> > different
> >> sounding filter. Nobody has accused Wiard or Fenix of pandering
to
> > the Moog
> >> sound.
>
>
> I've said this before but its worth repeating - I'm glad the Serge
doesn't
> have a 'moog-style' filter... I like synths to have their own
individual
> character. My synths all have strong personalities that differ
strongly from
> each other - but then I am lucky enough to afford a Serge + other
gear.
>
> Impressed as I am by the recording I'm now listening to
(Subotnick's '4
> Butterflies') composed exclusively on a Buchla system, I could not
get by
> with just a Serge for my purposes. Admittedly I do use the Audio
Input of my
> Minimoog a lot for the Moog-filter sound but I still like my Serge
as it is.


Isnt it best this way ? It is the norm . You love your Mum cos shes
your Mum , but you dont expect her to be your girlfriend (I
hope)......Your comments make sense to me . I guess I still dont
understand that a Serge (say..) should have to be so "perfect" (in
everbodies eyes).
>
>
> > The Fenix sounds nothing like Moog stuff . The filters are all
> > differant to Moog standard.
>
>
> I don't think Chris was saying the Fenix does sound like Moog stuff.
>
>
> >> It comes up so often I guess the filter issue is now quite
tedious.
> >> On the other hand it seems to be (apart from prices) the
> > only 'weakness'
> >> anyone ever expresses about the system.

Really ? I must admit to "coveting" some of the simple Doepfer
modules that offer aspects of control Serge doesnt /course , works
both ways ......
>
>
> Chris - talking of 'weaknesses' I still think the
biggest 'weakness' is
> having to buy an entire panel at a time rather than individual
modules!


It's hard to argue with that . at least the panels are beautifull &
probably look better than seperate units ...of course this works both
ways ...

>
>
> > I find the filters to be versatile & usefull in ways an Oscar
> > (i.m.o. -better than the moog........) or other synths cannot
manage.
> > you cant have your cake & eat it....
>
>
> Well, I'm not going to say one filter type or synth is 'better'
than another
> but I do think the Serge filter is incredibly useful in 'trigger'
mode. I
> haven't ever had the chance to hear the 'percussion' mode on the
ARP 2500
> multimode filter or any other ringing filters - anybody like to
comment on
> any differences between the models using this particular feature??



I think the Fenix & other synths 'll do this (tho' not as wide
ranging in range) as well as the Serge .Feeding a narrow pulse into a
just resonating filter should work on lots of others . The Serge tho'
extends way lower frequency wise than most filters , and without the
wave corrupting/deteriorating.

>
> Is a ringing filter a ringing filter? or does the Serge VCFQ have a
wider
> range of perc sounds, etc, etc??
>
> >> I agree with those who point to everything else a Serge can do
but
> > it's not
> >> always possible to have thousands of dollars tied up in a cutting
> > edge,
> >> electronic sound machine. For the want of another filter it would
> > be easier
> >> to create run of the mill sounds as well.
>
> > Run of the mill ? you said it . Serge have very wisely I.M.O.
avoided
> > all the cliched moog/tb303 drivel .
>
> Surely most cliched music is drivel regardless of whether a Moog or
TB303
> was used?


AGAIN , i.m.o. - cliched/drivel are my thoughts from experience
with some of these over rated machines . I'm very happy for people to
like /use whatever suits them
, its just the hype attached that really needs
addressing ........mind you , who reely cares other than a few freeky
muzik peeple..........?



Let's not slag off certain types of sound or synths - its
> pointless. I love both these instruments in certain circumstances..



I did say , and mean , I.M.O................

>
> > I dont think history will be as
> > kind to Moog as he would have peeple beleeve.....I.M.O.
>
> Interesting... I am a huge fan of the classic Moog sound when
programmed by
> certain 'artists' but personally I was very disappointed with the
> Moogerfooger range design-wise. I just don't like the pedal format.
I think
> they have a good range of features and they are very reasonably
priced. I
> haven't heard them so I can't comment on the sound - but I wish
they had
> been made to fit in a modular panel format.



Yes .It would seem sensible to offer both versions ...

>
> It will be interesting to see what the forthcoming Big Briar
Performance
> Synth has in store...
>
> >> Why not? It's evident that Malcolm Cecil patched some simple
sounds
> >> occasionally on Tonto.....even using the odd Moog filter.
>
> Ahhh.. my favourite synth sound... especially in the hands of
Stevie...
> speaking of which, Subotnick's finished - time for Fulfillingness
First
> Finale...
>
> Kirk.

Wiard (Re: [SergeModular] too bloody good......?

2001-06-03 by sonic@sonicboomuk.fsnet.co.uk

--- In SergeModular@y..., "C. Whitten" <chris@c...> wrote:
Show quoted textHide quoted text
> > admittedly I do use the Audio Input of my
> > Minimoog a lot for the Moog-filter sound but I still like my
Serge as it is.
> Nothing to be ashamed of.
> Actually I was thinking yesterday that I wouldn't be able to
identify a
> synth off a current record (other than a TB303).

Really ? even against the zillion clones ? you do have very
exceptional hearing . fascinating.



Back in the days of
> Zawinul, Duke and Hancock I think you could hear whether it was
Moog or Arp.
> Maybe it was because I already knew they were exclusive users of
either
> brand.
> Final word on the subject.....
> Maybe a possible true weakness of the Serge filters is that they
are all
> multi-mode. Just about every other modular has a dedicated LPF and
HPF.
> Is there anyone on this list who wouldn't be very excited by the
prospect of
> a new Serge filter coming on the market.


I must admit (I bet you predicted this...) Not me ....If I had the
bread I'd buy maybe 3 more panels before the filter thing would start
to excite me..........I think the biggest problem with the Serge is
that there are so many great & amazing
possibilities/modules.............I can see your argument re: 24 db
Serge option , but I wish I could think of something as perfect in
other media ?


> (I never mentioned wanting a Moog style filter. What about
something unique)

Good call.
regards
P.K
> CW

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