Really nice list, Matt.
" My favorite technique is to DC mix envelope and a TKB layer (like D),
then negative-bias the result to control VCA so that when layer D is
0, you get no sound, when it's fully CW, you get full volume. This
allows 'accenting' beats as well as rests and full-on notes."
This is quite fun to do playing live. Leave most D knobs at 0, then
work thru combinations, turning up the 4th, then the 6th, then the 2nd,
etc, so the rhythm is always shifting in an interesting way. Then end
by fading down the remaining D pots till all are at zero - now you're done.
" My favorite technique is to DC mix envelope and a TKB layer (like D),
then negative-bias the result to control VCA so that when layer D is
0, you get no sound, when it's fully CW, you get full volume. This
allows 'accenting' beats as well as rests and full-on notes."
This is quite fun to do playing live. Leave most D knobs at 0, then
work thru combinations, turning up the 4th, then the 6th, then the 2nd,
etc, so the rhythm is always shifting in an interesting way. Then end
by fading down the remaining D pots till all are at zero - now you're done.