I use it to generate subtle bass patterns. Osc Saw ->Inverter ->DSG trig, then
modulate the DSG with something or other. Usually comes up as some sort of 7th
chord pattern. Can sound like the bass part on Michael Stearn's "Planetary Unfolding."
Here is a question: the NTO Variable output has several (but not all) wave shapes that
will trigger the DSG without the inverter. I can understand the pulse shape area
triggering. But why will the saw area trigger when the saw output won't? Even some
of the sine area will trigger.
If I had to choose between hard or soft sync, I'd prefer soft.
jmr
modulate the DSG with something or other. Usually comes up as some sort of 7th
chord pattern. Can sound like the bass part on Michael Stearn's "Planetary Unfolding."
Here is a question: the NTO Variable output has several (but not all) wave shapes that
will trigger the DSG without the inverter. I can understand the pulse shape area
triggering. But why will the saw area trigger when the saw output won't? Even some
of the sine area will trigger.
If I had to choose between hard or soft sync, I'd prefer soft.
jmr
--- In SergeModular@yahoogroups.com, "jamescoplin" <moog@q...> wrote:
> so, does anyone have any use for the soft sync? i really can't tell
> that it does anything except make the osc "slightly" buzzier and not
> in a particularly useful way. kind of like using dsg as a lowpass
> filter kind of buzzy way. am i missing something? i hate to think how
> much i paid for that sync jack not to be using it! ;)
>
> james r. coplin