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SergeModular

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Message

Re: Sync on Serge

2003-02-10 by metafoetus2002 <jan-hinnerk.helms@t-onli

Hi Chris,

thanks for playing the devil's advocate. You are of course right with "take=
it or
leave it". But given the fact that the Serge is a hand-made instrument I th=
ink it
is quite legitime to ask for modifications.

The pain in my brain - the reason for my original post - came from the fact=
that
I know the sound of the subharmonic series and I know the sound of hard
sync, both sweeped and static: They sound different, they look different - =
and
yet I have a catalogue in my hand saying that they are similar. This puzzle=
d
me, and I wanted to know if this came from my lack of understanding.

Furthermore, given the - at least for my geographical position - limited
possibility to test a Serge before spending a considerable amount of money,=
I
like to know its "warts" beforehand and ask if these are aquired or innate.=

Over time one might even get to love the "warts" of his partner, but it's b=
etter to
discover these before…

…or why else do you think it took Harry and Sally such a long time to final=
ly
get together?

:-)

Best regards
Jan-Hinnerk


--- In SergeModular@yahoogroups.com, Chris Whitten <cw.chris@z...> wrote:
> OK to be devils advocate for one minute.....
> This is getting like Meg Ryan's food ordering in 'When Harry Met Sally'.
> You either buy in to the Serge philosophy warts and all, or you look
> elsewhere. There are lots of oscillators that hard sync, not so many with=

> continuous voltage controlled waveshaping.
> It's a crass example I know.....I guess to quote another cliché, you can'=
t
> please all of the people all of the time. So like it or lump it.

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