You are so right. moving away from filters et al is a brilliant way of finding new sorts of sounds. I have a foot in both worlds coming from the time when e music was the familiar of prog along with jazz. Metal is that familiar now. And having a Buchla user on my now sold off record label along with a the first Moog user. Mixing the approaches could yield something totally new, like really new as opposed to new because you missed it or wasn't born new. --- In ModularSynthPanels@yahoogroups.com, Scott Deyo <contact@...> wrote: > > The Forbidden Planet stuff is fantastic -- organic and barely in > control. I'll have to find that story you read. > > That's the main draw of CGS stuff for me -- I don't always get the > results I'd expect. It's like having a collaborator. I listened to > Morton Subotnik a few months ago, and it was interesting to hear him > describe his relationship w/ the Buchla. > > Scott Deyo > The Bridechamber > contact@... > www.bridechamber.com > > > On Oct 28, 2007, at 10:02 PM, mcb, inc. wrote: > > > On Sun, 28 Oct 2007, Scott Deyo wrote: > > > > >> > > >> More hybrid than analog, perhaps? Maybe we could use an actual > > >> analog computer module... > > > > > > Do mean transistors instead of CMOS? Or tube logic? : ) > > > > That could be good. I just bought a bunch of Soviet decatrons > > and I'd like some eye tubes too. > > > > > I remember doing searches for analog computers on eBay, and there > > were some > > > interesting old kits out there. > > > > That's more what I'm thinking about. I read through the story > > and analysis of the Forbidden Planet soundtrack not too long > > ago. I want to try some things in the area Louis was working > > in.... > > > > -- > > Monty Brandenberg > > > > >
Message
Re: proposed designs
2007-10-31 by adaaxs
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