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more stuff...

more stuff...

2002-05-15 by JS

Okay, another one that's been bothering me. I believe I recall a posting not too long ago referring to the fact that the early, early Mark I and Mark II instruments had no line out, and were therefore recorded by miking their speakers. Is that true, and if so, doesn't it provide a big clue to the magic of some of those early Mellotron recordings, that it sounded like it was in "another space" because it actually was? Has anybody tried miking their Mellotrons in their own recordings to see if they can capture and reproduce that amazing feel?
Also, as a devout atheist who has played tons of liturgical music in order to get close to big pipe organs, and some high-end electric and electronic organs, I can't help but wonder if any Mark I or Mark II Mellotrons were installed in churches to substitute for the more traditional organ. I'd join the congregation just to go LISTEN to something like that!
Any feedback?

Jon E Salley
MiloJohnson@...
M400 #886

Re: more stuff...

2002-05-15 by ceccles_ca

--- In Mellotronists@y..., "JS" <jonesalley@s...> wrote:
Has anybody tried miking their Mellotrons in their own recordings to
see if they can capture and reproduce that amazing feel?

Yes. Output through two Yorkville AM 100 Acoustic Guitar Amps. (amp
volumes at 11 and a touch of reverb). SM58 mic 7 feet back in a 12 X
14 bright room.
Results: A live feel...exagerated 2KHZ hump....cuts through a
mix...makes choir and strings sound great. I can't reproduce this
with direct recording through a Lexicon ambiance/reverb box and EQ.
Something about the high DB volume in the room gives the recording a
sharp edge. I tried lower volume on the amps, but the recording lost
the edge.