>>>I also remember I didn't see Gustav Holst appearing in the documentary's
credits for music. (Mars and Devil's Triangle have a lot in common)<<<
sid smith's mighty crimsotome attributes this similarity to a concern that
the actually- intended cover version (stand up keith emerson et al, and take
the credit for this grand idea.... perhaps bob was having a little riposte
after being snubbed by the knife-wielding one) would arouse the notoriously
conservative heirs to the estate of gustav holst. at a guess, the suggestion
was that his grand-daughter in particular was vexed by the idea of anyone
taking liberties with interpretation or arrangement. a bit later on, isao
tomita ran into this and it effectively ended his career as a taken-seriously
reinterpreter of the classics. same dame. shame. so anyway, fripp and co
turned the tune upside down or something. still damn scarey.
duncan/m400nr1098, still sulking but suddenly quietly smug about something.