<<Today there's a cult that wants to replace all musical instruments with computers playing samples, so there's absolutely no interaction with the noise-making process. That's surreal. Am I the only one thinking "Stepford Wives" here?>> no, don. but the blame isn't entirely with the technology; that so often these days the bland-out approach is taken is a natural consequence of the commoditisation of art. cars used to be hand-built once too; I'd venture that witnesses of the arrival of the model-t mourned the passing of quality wooden coachwork. big business always damages the things that people like, by trying to overtake the demand with sheer quantity and variety, and erasing the vital personal touches from the product. one can only hope that the damn things (samplers) are so cheap that eventually one of them's bound to fall into the hands of a genuine musical subversive who doesn't then sell out. but who cares? we've already got julian cope. duncan/400nr1098 and several dormant samplers.
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Re: [Mellotronists] Tony Visconti
2003-03-25 by ferrograph@aol.com
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