That reminds me of a story I read concerning when King Crimson was going to record their first album (in the Court of the Crimson King). Atlantic insisted that Tony Clarke produce it. After several meetings and sessions with Fripp, Lake, Giles, and McDonald, the musicians insisted that Clark be removed from the project as they did not want their sound being "drenched in acoustic guitar reverb". In other words, they did not want to sound like The Moody Blues. _____ From: Mellotronists@yahoogroups.com [mailto:Mellotronists@yahoogroups.com] On Behalf Of john barrick Sent: Sunday, October 14, 2007 11:57 AM To: mellotronists@yahoogroups.com Subject: Re: [Mellotronists] Need Mellotron in No. California ross_mehan wrote: > Hi Everyone--My name is Ross and I'm new to the group. I'm a huge Moody Blues fan, and > I've been entranced with the sound of the Mellotron for years. I've had the pleasure of > meeting and spending time with Mike Pinder, one of the founders of the Moody Blues. I'm > not a musician, but I've heard the mellotron used by many artists over the years, and Mike is > (IMHO) the master. I've never heard anyone who's gotten the exquisite sounds out of this > tempermental device as he has. > > Hi Ross - welcome to the group. I'm in southwest Ohio, so I probably can't help you out that much. If you do need something from here, you're more than welcome. Not to take away anything from Mike Pinder, as he's one of my favorite Tronists too, but you shouldn't make the mistake of overlooking how much Tony Clarke's production work brought to the Moodies sound. I have a feeling that Mike would be one of the first to tell you that. Best of luck, john barrick #1407
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RE: [Mellotronists] Need Mellotron in No. California
2007-10-14 by David Jacques
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