I'm getting to the point these days where I am so accustomed to the
individual idiosyncrasies of Mellotron notes (particularly 3violins) that I can
tell what key music is in just by the intonations, tuning irregularities,
timbral differences, vibrato rates, and all of the other little unique
characteristics of each little eight-second performance. Does anybody else
find this observation familiar?
And by the way, where is Andy to weigh in on this Bobby Darin/Chamberlin
controversy? Somebody fire up the searchlight with the big M and shine it
on the clouds, see if we can get a definitive answer here! ANDY!!!!
We need you!