On Fri, 12 Jul 2002, ceccles_ca wrote:
Omni and Omni-2. I believe the Solina was designed and
manufactured by Dutch company Eminent, then rebadged by ARP
for the American market.
Omnis, but IMO string synths sound best when mixed with samples
of real strings -- like Genesis did on The Lamb.. (Elka Rhapsody
plus Three Violins), for example.
Speaking of string synths, there's a very interesting article
about the Roland RS-202 in the current issue of Sound-On-Sound
magazine (http://www.sospubs.co.uk/). Apparently the RS-202 was
blatantly copied by another Japanese manufacturer, and sold
under the name of Multivox MX202 -- quite a remarkable story.
Now, I'd like to see an equally in-depth article on the odd
machine known as SLM Concert Spectrum, thanks! (hint, hint :-)
-joachim
> "...Solina String Ensemble..."Yes, but not to be confused with the even more successful
> This is an ARP synth. Everybody and his dog had one in the late
> 70's.
Omni and Omni-2. I believe the Solina was designed and
manufactured by Dutch company Eminent, then rebadged by ARP
for the American market.
> I rented one in the mid 80's. It didn't give me a hard on or anyI actually prefer the silky sound of the Solina to the buzzier
> goose bumps, so I sent it back.
Omnis, but IMO string synths sound best when mixed with samples
of real strings -- like Genesis did on The Lamb.. (Elka Rhapsody
plus Three Violins), for example.
Speaking of string synths, there's a very interesting article
about the Roland RS-202 in the current issue of Sound-On-Sound
magazine (http://www.sospubs.co.uk/). Apparently the RS-202 was
blatantly copied by another Japanese manufacturer, and sold
under the name of Multivox MX202 -- quite a remarkable story.
Now, I'd like to see an equally in-depth article on the odd
machine known as SLM Concert Spectrum, thanks! (hint, hint :-)
-joachim
