Genesis appears to have had a strict policy for studio recordings where they'd always arrange the music "as if live", so nobody is playing a combination of instruments they couldn't play in a live performance. I don't know how intentional this was, but it sure seems consistant. If not obsessive. Arranging a song "as if live" has a number of interesting effects: Live performances can sound pretty much exactly like the studio recordings. There's a certain sense of musical honesty. The listener can very easily imagine a live performance in their head and picture what each member of the band is doing. (One could even argue that this effectively increases the value of your hifi system, since lifelike sound is what you pay for.) Some arrangements are completely dependent on Mike Rutherford's bass pedals and double-neck. And you can deduce how they pulled off some of the stuff they did. Of course they dropped this policy after they were three. And Trespass was pretty early, I doubt they had this thing fleshed out at the time -- certainly there are piano/organ sections in Stagnation that don't sound possible live. So in this particular case the policy might not be helpful. Still, it's interesting. -- Don -- Don Tillman Palo Alto, California, USA don@... http://www.till.com
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Re: [Mellotronists] MkII mandolins
2002-07-11 by Don Tillman
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