--- In Mellotronists@yahoogroups.com, "ceccles_ca"
<ecclesreinson@...> wrote:
recordings, especially considering that monophonic synths were used
and the sounds had to be changed every couple of bars. Wait, yes I
can...I once stumbled into the Studio C control room of Record Plant
in NY when Gershon Kingsley was doing a session. The 16-track had to
be stopped every couple of seconds so he could change the settings
on his Moog.
Imagine what Spike Jones could have done with a Moog band!
Bernie
<ecclesreinson@...> wrote:
>will
> Does anyone remember:
> Everything You Always Wanted to Hear on the Moog
> ...but were afraid to ask for!
> Semi-conducted by Andrew Kazdin and Thomas Z. Shepard
>
> Hear Bizet - Carmen mp3 (and the rest)here:
> http://www.fatbaron.com/everything/
> Columbia hasn't re-issued this recording, so these 192kbps MP3's
> have to do.I can't even begin to imagine how much work went into those
>
> Clay
>
recordings, especially considering that monophonic synths were used
and the sounds had to be changed every couple of bars. Wait, yes I
can...I once stumbled into the Studio C control room of Record Plant
in NY when Gershon Kingsley was doing a session. The 16-track had to
be stopped every couple of seconds so he could change the settings
on his Moog.
Imagine what Spike Jones could have done with a Moog band!
Bernie