On 1/15/10 1:19 AM, Andrew Sharpe wrote: > > > You know, after I posted that this method of spotting was clever, I > started thinking (I know, sometimes a bad idea). Glossy paper prints > very differently than the non-OBA matte paper I use, with very different > shades. It seems like it would be very easy to pick the wrong grey scale > step for spotting, because when I spot the matte paper, it will be a > different shade. I guess you would learn over time which of the steps on > a given type of glossy paper matched the actual shade of the hole you > needed to fill on a given matte paper, but it seems like this would be a > pain. > > Perhaps it doesn't matter in practice; I haven't tried it yet. > > Andrew > > In practice it really isn't a problem, at least to my eyes. As you probably remember from darkroom days, spotting is an art and digital printing hasn't changed that. If anything, I think it may be more difficult now since flaking can produce "holes" that are a fair bit larger than dust or negative defects did on gelatin prints and they aren't predictable from print to print.. As I recall (at my age not to be trusted...) Adams etc. used professional spotters when they produced an edition. Roger -- -------------------------------------------- Roger L Sopher rlsopher@... http://rlsopher.com [Non-text portions of this message have been removed]
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Re: [Digital BW] Re: Bad News About Alise Natural
2010-01-15 by Roger Sopher
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