Digital BW, The Print

Gary, There are certainly times when the frame is as you say, just
packaging. There are however, some that consider the framing an extension of
the piece and becomes a single unit. The quality of the glass may be just a
small part of that, but it may be an important part of that.  

 

Eric Neilsen Photography

4101 Commerce Street

Suite 9

Dallas, TX 75226

http://e.neilsen.home.att.net

http://ericneilsenphotography.com

Skype ejprinter

  _____  

From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Gary
Brown
Sent: Wednesday, November 29, 2006 4:27 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Re: Conservation glass

 

Jim

I hope that for your sake the selling of your images is not dependent upon 
whether or not you use Tru Vue Museum glass. Any serious collector that I 
know, purchase the image not the packaging. If they had any concern about 
the framing, they will have the image re-framed under their control.

Gary

www.pbase.com/garyallenbrown

----- Original Message ----- 
From: "jim kitchen" <jim.kitchen@ <mailto:jim.kitchen%40shaw.ca> shaw.ca>
To: <DigitalBlackandWhit
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com>
eThePrint@yahoogroups.com>
Sent: Tuesday, November 28, 2006 7:44 PM
Subject: Re: [Digital BW] Re: Conservation glass

Dear Brad,

I may be alone with this issue, but the galleries I work with,
ask that my black and white carbon images be framed with
Tru Vue Museum glass, and they sell quite well...

Expensive yes, selling point yes, and they consider this to be
a minimum requirement for any images of this nature.

jim k

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