Digital BW, The Print

If your B&W toning process allows, you should be able to achieve split
toning effects using Photoshop's Duotone process.

Now that I have a decent profile (thanks Cathy!) I can print neutral,
metamerism-  and "greenie-"free B&W in RGB or Grayscale modes with my
2200 and MIS Pro color inkset and find that using a Duotone (tri- or
quad-, too) I can define the tone of highlights and control the
application with the curves and ink definitions. The method is very
versatile, maybe too versatile for me, since I never developed any
darkroom preferences, I can get bogged-down with all the possibilities.

Frank

-<paul.roark@...> wrote:
> I've recently made a mild split-tone profile that, I think, deals
> effectively with the problems of a brightened paper used with a
creamy mat
> board.  In the past I've used non-OBA paper to deal with the issue.
> However, with the selection of such papers limited, I decided to see
what I
> could do with a profile to match the paper and mat.  The approach
seems to
> work well.
> 
>  
> 
> I've made a short write-up of the efforts at
> http://home1.gte.net/res09aij/PM_Split_Tone.pdf .
> 
>  
> 
> Paul
> 
> www.PaulRoark.com <http://www.paulroark.com/>  
> 
>  
> 
> 
> 
> [Non-text portions of this message have been removed]
>