Digital BW, The Print

I would follow Paul's recommendation here:

http://home1.gte.net/res09aij/UT-3D_Readme.pdf

Except, I would replace the LK ink with PK. You will need to fill 
this ink position yourself. An even better option is to fill this 
position with Epson OEM K3 PK ink, sucked out of a 4800 cart. It will 
give you much better Dmax on glossy (RC) papers.

In summary, your inks will be: (1) Eboni for matte, (2) PK for 
glossy, (3) C of UT-3D, (4) LC of UT-3D, (5) LC of UT-3D, (6) LM of 
UT-3D, and (7) Y of UT-2 for the sepia toner. Using QTR and a 
densitometer, you should be able to print on all paper types with 
tones ranging from cold to sepia.

Good luck.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "monoengland" 
<wilkinson27@...> wrote:
>
> I have an Epson 2100 dedicated to B&W. I have been trying out Lyson 
> monochrome ink CIS with their software (which is essentially the 
> Bowhaus IJC/OPM) using a densitometer to linearise. I'm not that 
happy 
> with the results. I would like to achieve neutral, cool and sepia 
> results on both matte(Han Photo Rag) and glossy, and would like to 
try 
> the UT inks from MIS as cartridges initially, using Quadtone RIP 
and 
> ICCs. I'm also interested in trying the newer Fibre Base Gloss 
> (Permajet UK). Can anyone please help me with the pros and cons of
> UT3-D and UT7 inks in this quest? Many thanks.
>